New Strymon Dig V2 Dual Digital Delay Guitar Effects Pedal

Delay Doppelgänger. DIG unearths the true soul of digital delay and doubles it — two simultaneous, integrated delays with captivating rack delay voicings from the 1980s and today, for incredible expressive potential.

Effortlessly create your own world of intricate and synchronized echoes, along with hypnotic and atmospheric repeats that blur the line between delay and reverb. Stretch your sonic horizons with five musically satisfying rhythmic subdivisions and three dual delay routing options. Go from syncopated, pulsating delay patterns, to evocative, spaced-out echo trails, all in a compact, pedalboard-friendly format.

Rack To The Future. Rack-mount digital delays of the '80s ushered in a new era of audio effects. The innovative electronic designs generated the cleanest delays that had yet been heard, but also created their own special and intriguing sonic characteristics. Thirty-plus years later, these sounds remain as distinctive and inspiring as ever.

Our thorough investigation of digital delay technology reveals the unique personalities that these delays possess. Delve into DIG's three digital delay voicings: the early '80s adaptive delta modulation mode, the mid-'80s 12 bit pulse code modulation mode, and the modern high-resolution 24/96 mode. Multiply these distinct voicings by two and get DIG — your perfect dual delay ally.

Classic Sound, New Features. Our second generation DIG keeps the same distinctive rack-mount digital delay tones from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.

MIDI: Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via DIG's EXP/MIDI jack or USB-C connection. Delay time can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.

Hardware Improvements: A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.

Delay Types: ADM – a one bit, high sample rate conversion technique that creates a percussive wide-band delay that adds more character when input dynamics increase. 12 bit – a 12 bit, 32kHz PCM conversion that produces a warm delay with a dimensional sense. 24/96 – a clean, high-resolution, high-bandwidth delay with a hint of dynamics; 24 bit resolution and a 96kHz sampling rate ensure uncolored, artifact-free repeats.

Two Delays: At the heart of DIG are two simultaneous, integrated delay machines. Delay 1 is the master delay with a free-running delay time from 20ms to 1.6s via the Time knob or Tap Tempo switch. Delay 2 follows as the companion delay, with a dedicated subdivision control offering triplet, eighth note, dotted eighth note, dotted quarter note, and golden ratio. Free Mode disables time sync, giving Time 2 a full 20ms to 1.6s range for two truly independent delay machines.

Routing Options: Series, Parallel, and Ping Pong configurations let you set up your two delays for chained, independent, or interactive stereo back-and-forth rhythms.

Delay Controls: Two dedicated Mix controls set wet/dry balance for each delay. The Repeats knob adjusts repeat amount for both delays, from short slapback to infinite echoes, with a secondary function to control Delay 2 independently. Two individual Time knobs cover snappy to spacey delays, and Tap Tempo allows easy on-the-fly tempo adjustments.

Modulation: Three levels of delay line modulation — off, light, and deep — add richness and dimension to your repeats.

Tone: A dedicated Tone control adjusts the feedback filter response. Turn left for high cut and dark repeats, noon for flat response, or right for sparkly delays with reduced lows.

Circular Repeats: Holding the TAP footswitch maintains a static volume and repeats continuously until released, then restores all previous settings.

Bypass: Choose electromechanical relay true bypass (default) or premium buffered bypass to preserve signal integrity over longer cable runs.

JFET Input: High impedance ultra-low noise discrete Class A JFET preamp input for exceptional touch sensitivity and responsiveness.

Line/Instrument Level: Line level input mode adds 10dB of headroom for use with active bass, synths, keyboards, and effects loops.

Stereo: Full stereo in/out via a single TRS input jack and dual TS outputs, switchable for stereo (TRS) or mono (TS) sources.

Specs:

• Premium JFET analog front end
• Ultra low noise 24-bit 96kHz A/D and D/A converters
• 520MHz ARM Superscalar processor, 32-bit floating point processing
• 20Hz to 20kHz frequency response
• Audio Input Impedance: 1M Ohm; Output Impedance: 100 Ohm
• Strong and lightweight pink aluminum chassis
• 9V DC power supply included; max 9V DC center-negative, minimum 300mA
• Dimensions: 4.5" deep x 4" wide x 1.75" tall (11.4 x 10.2 x 4.4 cm)
• Designed and built in the USA