{"title":"Strymon","description":null,"products":[{"product_id":"new-strymon-flint-v2-tremolo-reverb-guitar-effects-pedal","title":"New Strymon Flint V2 Tremolo \u0026 Reverb Guitar Effects Pedal","description":"\u003cp\u003e\u003cstrong\u003eA Perfect Gentleman.\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eThe magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock.\u003c\/p\u003e\u003cp\u003eFlint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFrom A Classic Era.\u003c\/strong\u003e On the tremolo side you can choose between the sonically complex '61 Harmonic Tremolo, the swampy and sultry '63 Power Tube Tremolo, and the sharp and balanced '65 Photocell Tremolo. On the reverb side you can select the classic '60s Spring Tank Reverb, the inventive '70s Electronic Plate Reverb, or the nostalgic '80s Hall Rack Reverb. With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics, plus true bypass and a premium quality analog front end and output section.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eVintage Sound, New Features.\u003c\/strong\u003e Our second generation Flint gives you the same gorgeous tremolo and reverb sounds from our original and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMIDI.\u003c\/strong\u003e Full MIDI implementation means you can control just about every switch, knob, and setting remotely by sending MIDI commands from your controller or DAW via Flint's EXP\/MIDI jack or USB-C connection. Tremolo speed can be synchronized via MIDI Clock Sync, and the sync setting can be saved for each preset. 300 MIDI preset locations are available for loading and saving your favorite settings.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHardware Improvements.\u003c\/strong\u003e A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. Plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExtended Control.\u003c\/strong\u003e The Speed knob range has been expanded to slow the tremolo down to nearly 1Hz at its minimum setting. On the reverb side, pre-delay time is now adjustable.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTremolo Voices.\u003c\/strong\u003e The '61 Harmonic Tremolo gets its signature sound through a dual-band filtering effect that alternately emphasizes low and high frequencies, for a soothing pulse with shades of a mild phaser. The '63 Power Tube Tremolo utilizes the LFO to directly influence power tube bias, creating a boggy, dirty character. The '65 Photocell Tremolo recreates the classic photo-trem circuits found in mid-1960s American amplifiers, producing a hard-sounding tremolo reminiscent of a square wave.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eReverb Voices.\u003c\/strong\u003e The '60s Spring Tank Reverb is our faithful recreation of the full-size two-spring tank commonly used in vintage amps. The '70s Electronic Plate Reverb pays homage to one of the earliest digital reverbs ever created, with a rich, smooth character. The '80s Hall Rack Reverb is our rendition of the nostalgic digital microprocessor rack reverbs from the late '80s, with distinctive early reflections followed by slowly-building density.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eEffect Order \u0026amp; Pre-Delay.\u003c\/strong\u003e An Effect Order secondary function lets you choose reverb-into-tremolo (like vintage tube amps) or tremolo-into-reverb (cleaner, modern tone), savable per-preset. 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Each channel's audio passes through a custom transformer, eliminating most ground loops and offering true galvanic isolation.\u003cbr\u003e\u003cbr\u003eEach unit also features a ground lift switch per channel to combat hum, as well as a three position high pass filter that allows you to roll off low frequencies at two different points: 80Hz for taming rumble, and 240Hz for more dramatically carving out space in the mix for low frequencies on other instruments.\u003cbr\u003e\u003cbr\u003eX2 features a phase reversal switch for reversing the polarity of the left XLR output, as well as a Sum switch that sums the inputs together and passes them to the left outputs (the right XLR output mutes to let you know Sum is engaged), allowing you to interface with both mono and stereo scenarios on the go without having to rewire anything.\u003cbr\u003e\u003cbr\u003eX2 features a non-buffered Thru output in addition to the balanced XLR out, allowing you to feed the input signal to an additional device like an onstage monitor or instrument amplifier separately from the balanced output.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003cbr\u003eCustom audio transformer per channel.\u003cbr\u003eRuns on phantom power (each channel requires power).\u003cbr\u003eGround Lift Switch per channel.\u003cbr\u003eThree-position high pass filter on each input.\u003cbr\u003eDefeatable Sum feature merges the Left and Right inputs and sends them to the Left outputs.\u003cbr\u003eExtremely flat frequency response.\u003cbr\u003eExtremely low total harmonic distortion (THD).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003cbr\u003eThick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection.\u003cbr\u003eShell awning design protects switches while allowing easy access.\u003cbr\u003eHigh quality long life jacks and switches.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003cbr\u003eInput Impedance: 2 MΩ (when SUM enabled: 4 kΩ)\u003cbr\u003eMax Input Level: +20.5dBu\u003cbr\u003eXLR Out Output Impedance: 100 Ω\u003cbr\u003eGain Relative to Inputs: -20dB\u003cbr\u003eMaximum Output Level: +0.5dBu\u003cbr\u003eNoise Floor: -123 dBu (10-22kHz no A-Weight)\u003cbr\u003eFrequency Response: +\/- 0.5dB, 10Hz – 80kHz\u003cbr\u003ePower Requirements: 5mA @ +48VDC (per channel)\u003cbr\u003eDimensions: L 3.66\" (93mm) x W 4.20\" (107mm) x H 1.54\" (39mm)\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47532947996850,"sku":"ACSTRPCHX2","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/a7cc9c2d-dd6c-40d0-9ed3-cc7619e81ab1.jpg?v=1779968878"},{"product_id":"new-strymon-zelzah-multidimensional-phaser-modulation-guitar-effects-pedal","title":"New Strymon Zelzah Multidimensional Phaser \/ Modulation Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eWay Back Machine.\u003c\/p\u003e\u003cp\u003eStep on Zelzah, play one chord, and you’re instantly taken back to a world of classic phaser tones as they were always meant to sound, perfectly voiced, with tons of vibe. Vintage 4-stage and 6-stage phasing with controls that allow seamless transitions to vibrato, gorgeous flanging and chorus, and new sounds never heard before—all instantly musical with great tone all the way across every dial.\u003c\/p\u003e\u003cp\u003eTwo Effects At Once.\u003c\/p\u003e\u003cp\u003eZelzah is actually two different phasers, side by side in one pedal. Zelzah’s 4-stage side gives you a wide array of classic tones ranging from phasing to vibrato and more, while the 6-stage side provides phasing, flanging, chorus, and all points in between. Dial in a chorus on one side and barber pole phaser on other, or a phaser on one side and tremolo on the other. Use the two sides independently or together in a variety of configurations. Zelzah may become the only modulation pedal you keep on your board.\u003c\/p\u003e\u003cp\u003eChoose Your 4-Stage Phaser Sweep\u003c\/p\u003e\u003cp\u003eClassic Sweep\u003c\/p\u003e\u003cp\u003eThe first Sweep mode is labeled “Classic” because this is the classic four stage phaser sweep we all know. In this Sweep mode, a single LFO with a warped triangle shape creates that familiar vintage sound.\u003c\/p\u003e\u003cp\u003eBarber Sweep\u003c\/p\u003e\u003cp\u003eSimilar to the visual effect of a barber pole, the Barber sweep is a continuously rising or falling effect that is traditionally done with frequency shifters. In Zelzah we have used an arrangement of synchronized four stage phasers to produce the effect while maintaining the four stage sound.\u003c\/p\u003e\u003cp\u003eEnvelope Phaser\u003c\/p\u003e\u003cp\u003eSet the Sweep switch to Env and you’ve got a whole new pedal under your feet. Now the phaser responds to your picking like an envelope filter\/auto-wah would, with the phaser sweep being dynamically controlled by your input signal, creating harmonically complex and very funky sounds.\u003c\/p\u003e\u003cp\u003eSix Stage Voice: Groundbreaking New Phaser Algorithm\u003c\/p\u003e\u003cp\u003eThe Voice knob on the six stage side simultaneously controls over 30 different parameters, all working in harmony for an inspiring musical experience.\u003c\/p\u003e\u003cp\u003eNot only do you get thick, juicy, phasing with pure vintage vibe, but as you turn the Voice knob clockwise, our groundbreaking new modified all-pass structure expands the time response of the cascading all-pass filters seamlessly and continuously, adding spaciousness and airiness to the sound.\u003c\/p\u003e\u003cp\u003eExplore a range of fresh musical tones that are not a mix of phasing and flanging, but actually something entirely new. Turn the Voice knob to the right for luxurious true flanger effects, and continue to the far end of the range for lush vintage chorus sounds. There are inspiring musical sounds at every point along the dial, and so many ways to make a sound that is truly yours.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003eTwo In One. Zelzah gives you two fully independent, versatile phasers at the touch of a button. Use one at a time, or use both in one of several possible routing configurations. With each phaser having a wide range of control over its tonal characteristics, the possibilities are near infinite with Zelzah.\u003c\/p\u003e\u003cp\u003eMeticulously Tuned. Our team spent months working to perfect each aspect of Zelzah’s sound design, making it so that any combination of settings would yield musically useful tones. Experiment to your heart’s content knowing that organic, lush modulation awaits at every setting.\u003c\/p\u003e\u003cp\u003eMultidimensional Modulation. Our groundbreaking 6-Stage phaser algorithm can take you from vibey vintage phasing to full-on flanging with the turn of a knob. Go even further and achieve iconic chorus tones, all with just one pedal. Zelzah’s 4-Stage side is just as versatile, with everything from classic phasing to warbly vibrato available, and even tones that border harmonic tremolo territory.\u003c\/p\u003e\u003cp\u003eTrue Stereo. Zelzah features full stereo in and out capabilities. It can also receive mono input and still give you stereo output. When using stereo outs, use the Stereo Spread live edit function to increase the stereo spread between your outputs to create a dimensional stereo image with life and movement. Being true stereo, Zelzah processes incoming stereo signals independently.\u003c\/p\u003e\u003cp\u003eMIDI \u0026amp; More. Connect an expression pedal and enjoy continuous control. Connect a MultiSwitch Plus for three presets at the press of a footswitch. With full MIDI implementation, control just about every switch, knob, and setting remotely via Zelzah’s EXP\/MIDI jack or USB-C connection.\u003c\/p\u003e\u003cp\u003eSound Design\u003c\/p\u003e\u003cp\u003eTwo independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations\u003c\/p\u003e\u003cp\u003eVintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope\u003c\/p\u003e\u003cp\u003eGroundbreaking new 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance\u003c\/p\u003e\u003cp\u003eTrue stereo operation means under the hood each half of the pedal has two phasers running side by side, with independently adjustable stereo spread for each\u003c\/p\u003e\u003cp\u003eAll controls are carefully voiced to produce musically useful sounds at any setting\u003c\/p\u003e\u003cp\u003eAdjustable input level switch to allow for both instrument and line level signals\u003c\/p\u003e\u003cp\u003eSelectable Buffered or True Bypass\u003c\/p\u003e\u003cp\u003eFull featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations\u003c\/p\u003e\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\u003cp\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\u003cp\u003eLow impedance independent TS stereo outputs.\u003c\/p\u003e\u003cp\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\u003cp\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\u003cp\u003eIndependent on\/off footswitch for each phaser\u003c\/p\u003e\u003cp\u003eAudio Quality\u003c\/p\u003e\u003cp\u003ePremium JFET analog front end\u003c\/p\u003e\u003cp\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\u003cp\u003e480MHz ARM Superscalar processor\u003c\/p\u003e\u003cp\u003e32-bit floating point processing\u003c\/p\u003e\u003cp\u003e20Hz to 20kHz frequency response\u003c\/p\u003e\u003cp\u003eAudio Input Impedance: 1M Ohm\u003c\/p\u003e\u003cp\u003eAudio Output Impedance: 100 Ohm\u003c\/p\u003e\u003cp\u003eMore\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized dark purple aluminum chassis\u003c\/p\u003e\u003cp\u003e9V DC power supply included\u003c\/p\u003e\u003cp\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/p\u003e\u003cp\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533018644658,"sku":"ACSTRZELZAH","price":349.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/wbgyiolyqtcksm8yonvu.jpg?v=1779969680"},{"product_id":"new-strymon-compadre-dual-voice-compressor-boost-guitar-effects-pedal","title":"New Strymon Compadre Dual Voice Compressor \u0026 Boost Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eYour Dream Tone Starts Here.\u003c\/p\u003e\u003cp\u003eStart your signal chain with the best possible version of your guitar tone. Treat your guitar signal to true studio quality analog compression with two distinct voices for smooth transparency or vintage squeeze. Hit the Boost switch to add clean boost or soft-clipped dirty boost, with the EQ curve of your choice. Mix in some dry signal for natural attack even with extreme compression settings. Feel the perfectly tailored dynamic response, feeding your amp and effects just what they need to sound their best.\u003c\/p\u003e\u003cp\u003eYour Everything Upgrade.\u003c\/p\u003e\u003cp\u003eFrom pickups, tubes, capacitors, to speaker cabinets—the aspects of a rig that can be upgraded or changed are nearly endless. Plug in Compadre and you may find you already have everything you need for the tone you’ve been seeking. Bring out your amp’s character in ways you never thought possible. Compadre’s Class A JFET input circuit, studio quality analog compression, and musically voiced analog boost circuits all work together to make your amp sound like it was just modified by a world-class boutique amp designer.\u003c\/p\u003e\u003cp\u003eSuper Flexible, Super Easy.\u003c\/p\u003e\u003cp\u003eCompadre gives you everything you need to shape your front end tone, and nothing to slow you down. Auto makeup gain and auto threshold mean that all you have to do is turn up the Compression knob to dial in the desired amount. Compadre’s wide variety of tone shaping features are all designed to easily sound great across a wide variety of settings.\u003c\/p\u003e\u003cp\u003eTwo Distinct Analog Compression Circuits.\u003c\/p\u003e\u003cp\u003eChoose between two compression circuits, each with its own unique character. Studio mode gives you the smooth, beautifully transparent compression typically found in the best vintage studio rack units. For a harder compression effect typical of classic guitar pedals, Compadre’s Squeeze mode is designed to deliver heavy compression with maximum sustain.\u003c\/p\u003e\u003cp\u003eBoost the Sweet Spot, Clean or Dirty.\u003c\/p\u003e\u003cp\u003eCompadre gives you two distinct analog boost circuits: a clean boost, and a dirty boost that introduces soft clipping, characteristic of an overdrive pedal. The selectable boost EQ ensures the perfect compliment to any guitar and amp combination. Add sparkle and shine with a treble boost, fatten your tone with the midrange boost, or level up the full frequency range with flat mode.\u003c\/p\u003e\u003cp\u003eSound Design\u003c\/p\u003e\u003cp\u003eThe Compadre design project started with a study of some of the finest analog compressors ever created, inspiring and guiding our circuit design process. Utilizing a VCA in the compression circuits allowed us to carefully tune the exact response and dynamics we desired for each voicing. For Studio mode, our goal was to achieve the musical and transparent sound found within our favorite studio rack units and the best vintage studio console bus compression. With ample sustain on tap, we paid special attention to creating a completely smooth decay, with no unwanted pumping artifacts.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003eIndependent Boost and Compression. Compadre allows you to use its Boost and Compression either together or independently from one another. In this way Compadre is truly two pedals in one. Store and recall presets using MultiSwitch Plus or MIDI.\u003c\/p\u003e\u003cp\u003eParallel Compression. Compadre’s Dry knob allows you to add the desired amount of dry signal back into your tone, in parallel with your compressed signal, preserving your natural uncompressed attack.\u003c\/p\u003e\u003cp\u003ePremium VCA Volume Pedal. Compadre features a dedicated VCA for its Level control and volume pedal input. Just connect any TRS expression pedal and you’ve got a premium VCA-based volume pedal.\u003c\/p\u003e\u003cp\u003eClass A JFET Input Circuit. Compadre features a premium Class A JFET Input Circuit that delivers exceptional touch sensitivity and dynamic interaction with your guitar or bass, while maximizing headroom and allowing the pedal to achieve a low noise floor.\u003c\/p\u003e\u003cp\u003eReady for Guitar or Bass. Compadre’s frequency response goes all the way down to 20Hz with no high pass roll off (unless Treble or Mid boost EQ curves are used).\u003c\/p\u003e\u003cp\u003eMIDI Control. Via MIDI, Compadre can store and recall up to 300 presets. Connect a Strymon MIDI EXP Cable to the FAV\/MIDI jack to access these features.\u003c\/p\u003e\u003cp\u003eFavorite. Connect an optional MiniSwitch or other external latching footswitch with a TRS cable to store and recall your Favorite setting. Or use MultiSwitch Plus to store and recall up to three Favorites.\u003c\/p\u003e\u003cp\u003ePrecise Level Control. Compadre features auto threshold and auto makeup gain. The Level knob can be used to adjust the output level of the compressor by -6dB to +6dB, with unity gain at noon.\u003c\/p\u003e\u003cp\u003eSound Design\u003c\/p\u003e\u003cp\u003ePremium analog VCA (Voltage Controlled Amplifier) compressor circuits\u003c\/p\u003e\u003cp\u003eTwo voicing options: smooth studio compression and hard pedal style compression\u003c\/p\u003e\u003cp\u003eIndependently controlled clean or dirty boost circuit with 3 EQ options\u003c\/p\u003e\u003cp\u003eDirty boost option provides overdrive when boost is engaged\u003c\/p\u003e\u003cp\u003eDRY Knob lets you blend the dry signal with the compressed signal to preserve attack transients\u003c\/p\u003e\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\u003cp\u003eHigh impedance ultra low-noise discrete Class A JFET preamp input\u003c\/p\u003e\u003cp\u003eLow impedance mono output\u003c\/p\u003e\u003cp\u003eOutput VCA allows Compadre to function as a volume pedal when a standard TRS expression pedal plugged into the dedicated Volume jack\u003c\/p\u003e\u003cp\u003eCompatible with MiniSwitch for remote selection of a Favorite preset\u003c\/p\u003e\u003cp\u003eCompatible with MultiSwitch Plus for remote selection of 3 presets\u003c\/p\u003e\u003cp\u003eFull featured MIDI control. Access to 300 presets and remote parameter control via quarter-inch TRS\u003c\/p\u003e\u003cp\u003eAudio Quality and More\u003c\/p\u003e\u003cp\u003eSelectable True Bypass (electromechanical relay switching) or ultra low-noise Buffered Bypass\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized dark red aluminum chassis\u003c\/p\u003e\u003cp\u003e9V DC power supply included. Power requirements: maximum 9 volts DC center-negative, with a minimum of 150mA of current\u003c\/p\u003e\u003cp\u003eCompressor Signal\/Noise: 109 dB typical\u003c\/p\u003e\u003cp\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall (11.4 cm deep x 10.2 cm wide x 4.4 cm tall)\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533018677426,"sku":"ACSTRCOMPADRE","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/vxr0juj96jnixisclydu.jpg?v=1779969686"},{"product_id":"new-strymon-engineering-volante-magnetic-echo-machine-guitar-effects-pedal","title":"New Strymon Volante Magnetic Echo Machine Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eSounds From The Expanse.\u003c\/p\u003e\u003cp\u003eCreate instant retrofuture atmosphere with evocative vintage delay tones. Activate your imagination with evolving ambient echoes and warm, organic feedback with just the right amount of grit. Sculpt your soundscape in real time as Volante becomes an extension and expansion of your musical instrument. Infuse your pedalboard with stunning vintage vibes that resonate and inspire.\u003c\/p\u003e\u003cp\u003eThree Magnetic Delay Types, Spring Reverb, Looper, and More.\u003c\/p\u003e\u003cp\u003eDelivering truly exceptional sound quality and intuitive playability, Volante is designed to radically enhance the sonic expressiveness of your pedalboard. Featuring magnetic drum echo, tape echo, and reel-to-reel studio echo, Volante is a stereo multi-head delay that also offers a looper and vintage spring reverb, with powerful sound-sculpting controls for limitless sonic possibilities.\u003c\/p\u003e\u003cp\u003eVintage Vibe.\u003c\/p\u003e\u003cp\u003eTo capture the nuance and complexity of classic tape and drum echo machines, every last magnetic delay system attribute was relentlessly studied and faithfully recreated. From the sought-after natural saturation and soft clipping of magnetic media when driven hard, to hands-on real-time controls for mechanics, wear, head-spacing, and low cut, Volante instantly adds tons of vibe to your sound.\u003c\/p\u003e\u003cp\u003eMulti-Head Maven.\u003c\/p\u003e\u003cp\u003eVolante provides the full experience and sonic attributes of iconic multi-head echo machines. At the center of Volante’s control surface are four delay playback heads with individual feedback, panning, and level controls—delivering unlimited creative options right at your fingertips. All of this range allows the creation of complex rhythmic patterns as well as reverb-like atmospheric textures.\u003c\/p\u003e\u003cp\u003eDrum Delay With Unprecedented Control.\u003c\/p\u003e\u003cp\u003eMagnetic drum echoes are famous for their warmth and for their harmonically rich and saturated sounds. Every sonic aspect of our favorite drum echoes has been meticulously reproduced within Volante. Dial in any possible sound from the full range of the best vintage drum echo units in conditions ranging from fresh-from-factory to road-worn classic.\u003c\/p\u003e\u003cp\u003eClassic Tape Echo Experience.\u003c\/p\u003e\u003cp\u003eVolante gives you superbly crafted multi-head tape echoes, including the smooth tape saturation and the characteristic imperfections and nonlinearities inherent to the sound of those vintage machines. Mechanical alignment, head wear, and tape crinkles, splices, and contaminants are all accounted for in Volante, giving you all the richness and complexity of a classic tape echo, with modern control and stability.\u003c\/p\u003e\u003cp\u003eTrue Studio Tape Sound.\u003c\/p\u003e\u003cp\u003eOf Volante’s three magnetic echo types, the Studio Echo provides the cleanest sound, able to sustain the highest number of repeats with minimal degradation. Volante gives you a pristine studio delay with the full-bodied warmth and fidelity of reel-to-reel tape.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003eSet Playback Level and Feedback for Each Head. Each head’s playback level can be set for full volume, half volume, or off. Independent of playback level, you can switch each head in or out of the feedback circuit, allowing the creation of interesting and complex rhythmic patterns as well as unique atmospheric delay textures.\u003c\/p\u003e\u003cp\u003eMagnetic Record Head Saturation. Turn up the Record Level knob to increase the gain of Volante’s analog class-A JFET input preamp circuit, sending a hot signal with analog warmth to the record head for any amount of saturation you desire.\u003c\/p\u003e\u003cp\u003eDedicated Spring Reverb. We captured this vintage vibe while creating a spring reverb with a gorgeous, gentle character that stands on its own, in addition to enhancing delayed signals.\u003c\/p\u003e\u003cp\u003eInstant Access to Eight Presets. The playback\/feedback buttons represent preset locations, and you can use the FAVORITE footswitch to recall from or save to any of those eight locations. MIDI gives you access to 300 preset locations.\u003c\/p\u003e\u003cp\u003eVariable Head Spacing. Volante gives you a SPACING control that is adjustable between Even, Triplet, Golden Ratio and Silver Ratio, continuously variable for the entire travel of the SPACING knob.\u003c\/p\u003e\u003cp\u003eIndependent Stereo Panning for Each Head. Set the pan of each head individually for spacious multi-head stereo delays.\u003c\/p\u003e\u003cp\u003ePlayable Echo Feedback. When you turn up Volante’s REPEATS knob, you get richly evolving, super-spacey sonic textures with intuitive, responsive hands-on control for sculpting the feedback.\u003c\/p\u003e\u003cp\u003eThree Echo Machine Speeds. Volante’s SPEED switch runs any of its three magnetic echo machines at half, normal, or double speed.\u003c\/p\u003e\u003cp\u003eInstant Infinity. While performing in Echo mode, press and hold the ON footswitch to activate Infinite Repeats.\u003c\/p\u003e\u003cp\u003eSound on Sound. Create dynamic loops that degrade and evolve. Change loop direction at the touch of a footswitch. Press PAUSE for a mechanical tape stop effect. Change the speed and pitch of your loop in octave increments.\u003c\/p\u003e\u003cp\u003eMirror Universe. In Sound on Sound mode, press the ON footswitch, and the entire loop length will play in reverse.\u003c\/p\u003e\u003cp\u003eMechanical Tape Stop\/Start Effect. The PAUSE footswitch recreates a variable speed magnetic echo unit, with mechanical slowdown when pausing and mechanical speedup when coming out of pause.\u003c\/p\u003e\u003cp\u003eCore of your MIDI Rig. With full MIDI control of every parameter plus 300 preset locations, Volante transmits and receives MIDI over 5-pin DIN, USB, and even the Expression jack (via 1\/4″ to MIDI cable).\u003c\/p\u003e\u003cp\u003eControl \u0026amp; Routing\u003c\/p\u003e\u003cp\u003eCompletely Analog Dry Path. Volante features all-analog, ultra low noise, discrete, class-A stereo JFET preamps for a truly studio-quality effect.\u003c\/p\u003e\u003cp\u003eInsanely Powerful DSP. We’ve outfitted Volante with the powerful Analog Devices SHARC ADSP-21375 processor.\u003c\/p\u003e\u003cp\u003eMorphing expression control. Connect an expression pedal and enjoy instantaneous, continuous control. Set as many knobs as you like for the heel and toe positions, and all settings morph throughout the full range.\u003c\/p\u003e\u003cp\u003eDedicated Instrument\/Line Input Level Switch. Set the switch to INST when using a guitar level input, or LINE when using Volante in the effects loop of a guitar amp or with a hot output from a synth or mixer insert.\u003c\/p\u003e\u003cp\u003eAdditional Control with MultiSwitch Plus. Connect MultiSwitch Plus to Volante’s Expression Pedal jack for additional footswitchable control.\u003c\/p\u003e\u003cp\u003eSound Design\u003c\/p\u003e\u003cp\u003eMulti-head magnetic media delay machine providing four playback heads with individual feedback, panning, and level controls\u003c\/p\u003e\u003cp\u003eProcessor-intense algorithms deliver meticulously nuanced recreations of vintage magnetic echo systems (drum echo, tape echo, studio reel-to-reel echo)\u003c\/p\u003e\u003cp\u003eDedicated control over echo machine tone and media: Low Cut, Mechanics, Wear\u003c\/p\u003e\u003cp\u003eInput Record Level for clean reproduction to warm, fat saturation\u003c\/p\u003e\u003cp\u003eIndependent Spring Reverb\u003c\/p\u003e\u003cp\u003eSound on Sound looping mode with reverse, pause, splice, and infinite repeat functions\u003c\/p\u003e\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\u003cp\u003eHigh impedance stereo input\u003c\/p\u003e\u003cp\u003eStereo output\u003c\/p\u003e\u003cp\u003eInput Level switch allows for both instrument and line level signals\u003c\/p\u003e\u003cp\u003eOn, Favorite, and Tap Tempo footswitches\u003c\/p\u003e\u003cp\u003eExpression pedal input allows the connection of an expression pedal, external tap pedal, 1\/4″ to MIDI cable, or MultiSwitch Plus.\u003c\/p\u003e\u003cp\u003eFull featured MIDI in\/out supporting MIDI CCs, program changes, and more\u003c\/p\u003e\u003cp\u003eUSB jack for controlling MIDI via computer\u003c\/p\u003e\u003cp\u003eAudio Quality\u003c\/p\u003e\u003cp\u003eAnalog dry path for a zero latency dry signal that is never converted to digital\u003c\/p\u003e\u003cp\u003ePremium JFET analog front end\u003c\/p\u003e\u003cp\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\u003cp\u003eSuper high performance SHARC DSP\u003c\/p\u003e\u003cp\u003e32-bit floating point processing\u003c\/p\u003e\u003cp\u003e20Hz to 20kHz frequency response\u003c\/p\u003e\u003cp\u003eAudio Input Impedance: 1M Ohm\u003c\/p\u003e\u003cp\u003eAudio Output Impedance: 100 Ohm\u003c\/p\u003e\u003cp\u003eMore\u003c\/p\u003e\u003cp\u003eTrue Bypass (electromechanical relay switching) or selectable transparent Analog Buffered Bypass\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized olive green aluminum chassis\u003c\/p\u003e\u003cp\u003e9V DC power supply included\u003c\/p\u003e\u003cp\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/p\u003e\u003cp\u003eDimensions: 4.5″ deep x 7″ wide x 1.75″ tall (114.3 mm deep x 177.3 mm wide x 44.5 mm tall)\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533018841266,"sku":"ACSTRVOLANTE","price":429.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/uit0ro30txr1qico9odp.jpg?v=1779969703"},{"product_id":"new-strymon-bluesky-v2-reverberator-guitar-effects-pedal","title":"New Strymon blueSky V2 Reverberator Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eHigher Elevation. The pedal that revolutionized compact reverb pedals has evolved. Plug into blueSky for the most lush, majestic reverbs imaginable. Transform a single note or chord into vast sonic atmospheres with impossibly gorgeous, incredibly long reverb tails. Hear the inspiring splash of an upgraded spring algorithm dripping with vintage vibe. Lose track of time and space as you interact with deep and expansive new Shimmer sounds never heard anywhere before.\u003c\/p\u003e\u003cp\u003eReverberant Bliss. Whether you’re a classic spring reverb fan, a studio rack aficionado, or an ambient soundscape creator searching for new sonic textures, the sounds you are looking for are here. blueSky provides three different reverb types: plate, room, and spring, and each type can produce everything from stunning realism to expanded sounds far beyond what would be physically possible, while always remaining musical and beautiful. Intuitive and powerful tone shaping controls allow you to easily dial in an endless variety of inspiring sounds. And with ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters and a 20Hz to 20kHz frequency response, blueSky is equally at home on top of a studio console or in front of a tube amp.\u003c\/p\u003e\u003cp\u003eAll New Features. Our second generation blueSky offers true studio quality reverbs in a compact pedal, and adds significant new features, incorporating technological advancements, hardware improvements and design enhancements to give you additional flexibility, power, and ease of use on stage and in the studio.\u003c\/p\u003e\u003cp\u003eTone Shaping. A dedicated Shimmer knob and new Shimmer behaviors yield an inspiring variety of immersive new sounds. A new Mod switch allows you to select the modulation depth for each reverb type. A beautiful new Spring algorithm creates extraordinary vintage spring reverb sounds, as well as expanded spring textures and hauntingly unique interactions with an octave-down Shimmer.\u003c\/p\u003e\u003cp\u003eHardware Improvements. A premium analog JFET input circuit ensures superb responsiveness to your playing, and you can select mono or stereo input with the flick of a rear panel switch. In addition, you can now control blueSky with an expression pedal or MultiSwitch Plus. All this, plus a new ARM DSP chip provides more processing power for every sonic nuance, with less energy consumption on your pedalboard.\u003c\/p\u003e\u003cp\u003eMIDI. Full MIDI implementation allows you to control just about every knob, switch, and setting remotely via the EXP\/MIDI jack or USB. And you can save and recall all the new sounds you create via 300 onboard MIDI preset locations.\u003c\/p\u003e\u003cp\u003eReverb Types. blueSky features three reverb types, each with their own distinct flavor for every reverb application you may need. A high-quality vintage plate reverb gives you the smooth, crisp reverberations heard on classic records from the 60s and 70s. A versatile room reverb places your tone in cozy small rooms, massive arenas, and everywhere in between. Our splashy spring reverb, a faithful recreation of the best vintage spring reverb circuits we could find, instantly adds character and retro mojo to any signal.\u003c\/p\u003e\u003cp\u003eTone Controls. Dedicated tone controls make blueSky one of the most versatile reverb pedals around. blueSky’s Low control tightens up the low end of your reverb by gradually dampening the low end frequencies, perfect for cleaning up muddy or boomy low end reverberations. For dark, moody reverbs, use the High control to roll back the high frequencies and dial in the exact tone you’re looking for.\u003c\/p\u003e\u003cp\u003eShimmer. blueSky’s unique Shimmer function can add sparkle or depth as well as expanded dimension and complexity to your tone by adding pitch shifting “in the tank.” This artifact-free pitch effect has a distinctive organic sound. Turn the Shimmer knob up when using the plate reverb to add regenerative octave-up pitch shifting. With the room reverb, shimmer regeneratively adds an octave plus a fifth. When used with the spring reverb, an intriguing octave down pitch effect with adjustable LFO speed is achieved.\u003c\/p\u003e\u003cp\u003eModulation. With blueSky’s Mod switch set to its light position, the delay lines are modulated to add subtle motion to the reverb tail. With the Mod switch set to deep, the signal entering the reverb tank is also modulated, in addition to the individual delay lines within the reverb tank.\u003c\/p\u003e\u003cp\u003eReverb Controls. A dedicated Mix control lets you determine just the right ratio of wet to dry signal, from no reverb at all, to 50\/50 at 3 o’clock, all the way to full wet, reverb-only tones. blueSky’s Decay control determines how long you want your reverb to ring out. Pre-Delay lets you add space between your dry signal and reverb, a handy tool for maintaining clarity when using higher Mix and Decay settings.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003eTrue\/Buffered Bypass. Choose electromechanical relay switched true bypass, or premium buffered bypass that conditions your signal to preserve its integrity.\u003c\/p\u003e\u003cp\u003eJFET Input. Exceptional touch sensitivity and responsiveness thanks to a high impedance ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\u003cp\u003eStereo. blueSky features full stereo in\/out capabilities. A single TRS input jack keeps its compact form factor while giving you the option to use a stereo input signal. A dedicated rear panel Input switch sets blueSky for stereo (TRS) or mono (standard TS) input. Low impedance dual TS output jacks let you use blueSky as a stereo effect.\u003c\/p\u003e\u003cp\u003eLine\/Instrument Level. By setting blueSky to line level input mode, you get 10dB of added headroom, allowing you to use blueSky with bass guitars with active pickups, synthesizers, effects loops, vocals and more.\u003c\/p\u003e\u003cp\u003eIns, Outs, and Switches\u003c\/p\u003e\u003cp\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input.\u003c\/p\u003e\u003cp\u003eLow impedance independent TS stereo outputs.\u003c\/p\u003e\u003cp\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection.\u003c\/p\u003e\u003cp\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates.\u003c\/p\u003e\u003cp\u003eDedicated Favorite \u0026amp; On\/Off footswitches\u003c\/p\u003e\u003cp\u003eAudio Quality\u003c\/p\u003e\u003cp\u003ePremium JFET analog front end\u003c\/p\u003e\u003cp\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\u003cp\u003e520MHz ARM Superscalar processor\u003c\/p\u003e\u003cp\u003e32-bit floating point processing\u003c\/p\u003e\u003cp\u003e20Hz to 20kHz frequency response\u003c\/p\u003e\u003cp\u003eAudio Input Impedance: 1M Ohm\u003c\/p\u003e\u003cp\u003eAudio Output Impedance: 100 Ohm\u003c\/p\u003e\u003cp\u003eMore\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized blue aluminum chassis\u003c\/p\u003e\u003cp\u003e9V DC power supply included\u003c\/p\u003e\u003cp\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current\u003c\/p\u003e\u003cp\u003eDimensions: 4.5” deep x 4” wide x 1.75” tall, 11.4 cm deep x 10.2 cm wide x 4.4 cm tall\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533020741810,"sku":"ACSTRBLUESKYV2","price":379.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/omkkghbxxngubiv0oxy8.jpg?v=1779969721"},{"product_id":"new-strymon-ec-1-single-head-dtape-echo-guitar-effects-pedal","title":"New Strymon EC-1 Single Head dTape Echo Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eFrom Strymon:\u003c\/p\u003e\u003cp\u003eA Timeless Classic Reborn. Experience the dreamy sound of a classic ’60s tape echo complete with the harmonic richness of the accompanying tube preamp. Enjoy organic and ethereal modulation produced by countless subtle mechanical imperfections, and easily dial in anything from warm slapback to expansive echo feedback beds with a strikingly gorgeous stereo image. With beautifully-tuned low frequency response, lush tape saturation and sublime echo decay, EC-1 provides all the best of what a tube driven tape echo can deliver.\u003c\/p\u003e\u003cp\u003eTape, Tubes, and the Best of the Best. Development of EC-1 started with the groundbreaking single moving head algorithm originally developed for our El Capistan pedal, which is renowned for its lifelike reproduction of vintage tape echo. From there, we were fortunate to acquire what turned out to be a very special Echoplex EP-2, as the unit was in amazingly good condition and had been worked on by storied technician Cesar Diaz. We discovered several purposeful and skillfully-implemented modifications, including tweaks to the tube preamp for a warmer sound closer in frequency response to an EP-3. The inspiring result significantly informed development of EC-1, imbuing it with a special character that is immediately nostalgic.\u003c\/p\u003e\u003cp\u003eFull-Featured Compact Stereo Tape Echo. EC-1 offers impressive power and flexibility in a small and elegant form factor. Selectable tube-modeled preamp voices. Artifact-free tap tempo. Discrete stereo operation for independent processing of the left and right stereo inputs. Straightforward controls and expression pedal capability. High-impedance, ultra-low noise discrete Class A JFET stereo input preamp for exceptional touch sensitivity, dynamics and feel. MIDI control of tempo, patch save\/recall and more. Premium components, rugged construction and a USB jack for performing firmware updates or controlling the pedal from a computer.\u003c\/p\u003e\u003cp\u003eSound Design\u003c\/p\u003e\u003cp\u003ePreamp. Featuring meticulous tube modeling techniques, EC-1 offers a choice of two authentically reproduced preamp circuits that lend a subtle vintage character to your input signal. One is based on the classic EP-2 tube preamp and features an enhanced high-end shelf perfect for brightening up darker humbuckers. The other preamp option (the default setting) produces a warm, balanced response based on the modded preamp circuit in the EP-2 unit that we studied. Both preamp choices offer an optional boost of up to +6dB, or the preamp can be bypassed for an unprocessed dry signal if desired.\u003c\/p\u003e\u003cp\u003edTape. Our unique dTape technology was first developed for El Capistan, and we have expanded on it to reproduce all the inspiring nuances we encountered while studying a recently-acquired tube Echoplex. Our dTape system allows precise replication of every aspect of every tape echo we’ve studied, including the effect of the moving head, the tape condition, the bias setting, the mechanical effects of motors, capstan slippage and all the irregularities that add up to create the unmistakable sound of vintage tape echo repeats.\u003c\/p\u003e\u003cp\u003eRecord Level. Whether you want the cleanest repeats, subtle fattening or even downright dirty echos, you can instantly dial in the desired amount of tape saturation with the flip of a switch. EC-1’s three-way Record Level toggle switch selects the gain of the signal fed into the virtual record head: low for unity gain with optimized bias for the cleanest repeats, medium for a 6dB input boost with increased bias for slightly saturated repeats, or high for a 12dB boost with further increased bias for heavily saturated repeats.\u003c\/p\u003e\u003cp\u003eMechanics. Fluctuations from motors and mechanical components were thoroughly studied to accurately capture their imperfections. At the lower end only slower motor-related wow and flutter are present; around one o’clock these are reduced in favor of faster disturbances from crinkle, splices, and capstan slippage. The slower fluctuations are mixed back in more prominently as you approach the maximum Mechanics setting, creating truly gorgeous, organic stereo modulation effects.\u003c\/p\u003e\u003cp\u003eTape Age. The frequency characteristics of tape echo repeats are determined in part by the bandwidth of the actual tape stock, so older tapes will have a lower bandwidth with a warmer top end. EC-1 allows you to faithfully reproduce these characteristics by turning up the Tape Age knob for warmer repeats, or turning it toward minimum for the full-bandwidth sound of fresh tape.\u003c\/p\u003e\u003cp\u003eRepeats. EC-1 is designed to allow high levels of repeats that are truly lush but that don’t spiral into uncontrollable feedback. That wide sweet spot on the edge of runaway feedback can create intriguing sound beds under your lead or rhythm playing. Of course if you want to crank the Repeats control to maximum and play with the unique pitch effects that only a sliding record head tape echo can produce, those effects are all precisely replicated.\u003c\/p\u003e\u003cp\u003eFeatures\u003c\/p\u003e\u003cp\u003eMIDI. EC-1 features full MIDI implementation and 300 presets, allowing you to control it remotely by sending MIDI commands from your controller or DAW via the EXP\/MIDI jack or USB-C connection.\u003c\/p\u003e\u003cp\u003eTrue\/Buffered Bypass. EC-1 lets you choose between electromechanical relay-switched true bypass, or premium buffered bypass which preserves your signal’s integrity by preventing high frequency roll-off due to longer cable runs.\u003c\/p\u003e\u003cp\u003eJFET Input. Exceptional touch sensitivity and responsiveness thanks to a high-impedance, ultra-low noise discrete Class A JFET preamp input.\u003c\/p\u003e\u003cp\u003eStereo. EC-1 features full stereo in and out capabilities, processing incoming stereo signals independently. It can also receive mono input and still produce stereo output. EC-1’s single TRS input and TRS output allow for stereo operation while maintaining a compact form factor. A dedicated rear panel Input switch selects between Mono In to Mono Out, Mono In to Stereo Out, or Stereo In to Stereo Out (stereo requires a TRS cable for each jack).\u003c\/p\u003e\u003cp\u003eTap Tempo. Tapping in tempos with EC-1 works in a seamless way that would be impossible with a real tape echo. Tap your tempos with no pitch shifting, no clicks, ramps or mutes. Once a tempo has been tapped in, use the Time knob to set the Tap Division for triplet, eighth, dotted eighth, or quarter note resolution.\u003c\/p\u003e\u003cp\u003eControls \u0026amp; Routing\u003c\/p\u003e\u003cp\u003eTIME: Controls the delay time, from 50 ms to 1 second.\u003c\/p\u003e\u003cp\u003eMIX: Controls the balance of dry and wet signals from 100% dry at minimum to 100% wet at maximum.\u003c\/p\u003e\u003cp\u003eTAPE AGE: Controls the bandwidth of the tape, just as it would change over time in a physical tape delay machine.\u003c\/p\u003e\u003cp\u003eREPEATS: Varies the number of delay repeats from one to runaway, saturated oscillation. Set to 3 o’clock for sustained, infinite repeats without runaway.\u003c\/p\u003e\u003cp\u003eMECHANICS: Controls the amount of mechanically-related speed fluctuations and media irregularities. The left half increases low-speed fluctuations; the right half brings in high-speed irregularities.\u003c\/p\u003e\u003cp\u003eREC LEVEL: 3-way toggle selecting the gain into the virtual record head — low (unity gain), med (6dB boost), high (12dB boost).\u003c\/p\u003e\u003cp\u003eUSB: Computer connection for MIDI I\/O and firmware updates.\u003c\/p\u003e\u003cp\u003eEXP\/MIDI: Multifunction communication jack for external control including MIDI, expression pedal, and more.\u003c\/p\u003e\u003cp\u003e9V DC: Use only a 2.1mm center-negative 9V DC adapter rated 250mA minimum (adapter sold separately).\u003c\/p\u003e\u003cp\u003eSpecs\u003c\/p\u003e\u003cp\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input\u003c\/p\u003e\u003cp\u003eLow impedance TRS stereo output\u003c\/p\u003e\u003cp\u003eExpression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection\u003c\/p\u003e\u003cp\u003eUSB jack for controlling via MIDI from a computer or for performing firmware updates\u003c\/p\u003e\u003cp\u003ePremium JFET analog front end\u003c\/p\u003e\u003cp\u003eUltra low noise, high performance 24-bit 96kHz A\/D and D\/A converters provide uncompromising audio quality\u003c\/p\u003e\u003cp\u003e520MHz ARM Superscalar processor\u003c\/p\u003e\u003cp\u003e32-bit floating point processing\u003c\/p\u003e\u003cp\u003e20Hz to 20kHz frequency response\u003c\/p\u003e\u003cp\u003eAudio Input Impedance: 1M Ohm\u003c\/p\u003e\u003cp\u003eAudio Output Impedance: 100 Ohm\u003c\/p\u003e\u003cp\u003eTypical signal to noise ratio: 116dB\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized aluminum chassis\u003c\/p\u003e\u003cp\u003ePower requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included)\u003c\/p\u003e\u003cp\u003eDimensions: 4.6” deep x 2.7” wide x 2.5” tall (11.7 cm deep x 6.9 cm wide x 6.4 cm tall)\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533020774578,"sku":"ACSTREC1","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/pynvcl4oddyab3ayb1nv.jpg?v=1779969729"},{"product_id":"new-strymon-zuma-r300-high-current-ultra-low-profile-guitar-pedal-power-supply","title":"New Strymon Zuma R300 High Current Ultra-Low Profile Guitar Pedal Power Supply","description":"\u003cp\u003eStrymon Zuma R300 High Current, Ultra-Low Profile, DC Power Supply\u003c\/p\u003e\u003cp\u003eZuma R300 is the highest horsepower, most technologically advanced low profile effects pedal power supply. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a pedalboard friendly, expandable package, giving you room to grow. Zuma R300’s ultra-low profile design means that it can fit under just about any pedalboard. Dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\u003cp\u003eHear your pedals, not your power\u003c\/p\u003e\u003cp\u003eMany popular guitar pedals were originally designed to work with batteries. Since batteries are inherently very low noise and not susceptible to ground loops, these pedals often were not designed to be resistant to noise from power supplies. Our ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.\u003c\/p\u003e\u003cp\u003e12V and 18V option\u003c\/p\u003e\u003cp\u003eDo you have a pedal that requires 12V or 18V? Zuma R300 has you covered. One channel has selectable 9, 12, or 18V output voltages.\u003c\/p\u003e\u003cp\u003eSome analog pedals designed for 9V operation may provide higher output and\/or more clean headroom when run at higher voltages such as 12V or 18V. However, others will simply start smoking and melting, so please check with the manufacturer of your pedal before operating at a higher-than-standard voltage!\u003c\/p\u003e\u003cp\u003eDual isolation\u003c\/p\u003e\u003cp\u003eZuma R300’s all analog circuitry offers two stages of isolation. Each of the five output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Zuma R300 also provides dual power regulation: Wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.\u003c\/p\u003e\u003cp\u003eWorld tour ready\u003c\/p\u003e\u003cp\u003ePlaying gigs all around the world? No need to purchase separate power supplies for your international tour. Zuma R300 has automatic worldwide power compatibility built-in (when connected with the appropriate IEC cable). Whether you’re on 120V, 240V, 100V, or any variation in between, Zuma R300 will deliver clean, reliable power to your pedals, even if the venue has dirty power.\u003c\/p\u003e\u003cp\u003eEnergy efficient\u003c\/p\u003e\u003cp\u003eDon’t let the blue chassis fool you: Zuma R300 is green at heart. Significantly more efficient than linear power supplies, Zuma R300 is able to deliver substantially more current while handling a much wider range of input voltages. The high efficiency design delivers high-current power distribution in a compact unit, for a small carbon footprint and a small pedalboard footprint.\u003c\/p\u003e\u003cp\u003ePedalboard friendly\u003c\/p\u003e\u003cp\u003eZuma R300’s ultra-low profile design means that it can fit under just about any pedalboard. It also features built in threaded hardware for easy mounting.\u003c\/p\u003e\u003cp\u003eIns \u0026amp; Outs\u003c\/p\u003e\u003cp\u003e5 high-current, fully isolated outputs with center-negative polarity\u003c\/p\u003e\u003cp\u003e4 dedicated 9V outputs (500mA)\u003c\/p\u003e\u003cp\u003e1 adjustable output offers 9V (500mA), 12V (375mA), or 18V (250mA) DC options\u003c\/p\u003e\u003cp\u003e500mA per 9V output powers nearly any pedal\u003c\/p\u003e\u003cp\u003eDelivers a maximum of 36W\u003c\/p\u003e\u003cp\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18\" length)\u003c\/p\u003e\u003cp\u003eIEC cable included\u003c\/p\u003e\u003cp\u003e24V Thru jack allows connection to Strymon Ojai or Ojai R30 (sold separately)\u003c\/p\u003e\u003cp\u003e5 individual custom transformers (one per channel) deliver clean, consistent power\u003c\/p\u003e\u003cp\u003eLightweight and rugged anodized midnight blue aluminum chassis\u003c\/p\u003e\u003cp\u003eUltra low profile design fits under nearly any pedalboard\u003c\/p\u003e\u003cp\u003eDesigned and built in the USA\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533020905650,"sku":"ACSTRZUMAR300","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/pqkuvjtcqf4n6iuwj3vf.jpg?v=1779969755"},{"product_id":"new-strymon-timeline-multidimensional-delay-guitar-effects-pedal","title":"New Strymon TimeLine Multidimensional Delay Guitar Effects Pedal","description":"\u003cp\u003eInspiration Machine. When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past — in sound quality, sonic flexibility, hardware design, and processing power. We spent months in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed.\u003c\/p\u003e\u003cp\u003eExplore Your Creativity. TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Tweak to your heart's content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you're on your way to delay bliss.\u003c\/p\u003e\u003cp\u003e12 Unique Delay Machines. TimeLine provides twelve studio-class, fully tweakable delay machines. A crystal-clear digital delay can be endlessly tweaked and enriched with the Filter, Grit, Smear, High Pass, and Modulation controls, and a non-linear mode allows the repeats to fade more quickly while still retaining a natural feel. Two independent delay lines can be configured in series or parallel (right\/left split); the second delay has independent Mix, Repeat and Time values, and can also track the first delay's knob values. The Pattern machine gives you a variety of multi-tap patterns spanning rhythmic, ambient, and percussive textures.\u003c\/p\u003e\u003cp\u003eFeatures: Presets, Expression Pedal Control, Stereo Looper, Feedback Loop, and MIDI Integration.\u003c\/p\u003e\u003cp\u003e200 Built-In Presets. Instantly save and recall up to 200 of your own presets. Easily bank up or down using the front panel switches, or select presets externally with a MultiSwitch or MIDI controller.\u003c\/p\u003e\u003cp\u003eExpression Pedal Control. Plug in an expression pedal and control any knob or combination of knobs, all saveable per preset, or plug in an external momentary Tap Tempo switch for remote control of your tap tempo.\u003c\/p\u003e\u003cp\u003eBuilt-In Looper. A built-in 30-second stereo looper, routable pre- or post-delay. Record, overdub, play, and stop are right at your feet. Control the looper with a MultiSwitch or external MIDI controller to access reverse, half speed, undo-to-initial-loop, and redo functions.\u003c\/p\u003e\u003cp\u003eFeedback Loop. Switch to Feedback Loop mode and run an external effects pedal in the feedback loop of your TimeLine.\u003c\/p\u003e\u003cp\u003eExtensive MIDI Support. A complete MIDI implementation to connect to your MIDI gear: sync delay time to MIDI clock, remote control any knob, parameter, or switch, select presets via MIDI, and send MIDI messages to the built-in looper.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHand crafted, studio-class delay algorithms deliver meticulous, detailed and nuanced delay experiences\u003c\/li\u003e\n\u003cli\u003eTwelve delay machines: Digital, Dual, Pattern, Reverse, Ice, Duck, Swell, Trem, Filter, Lo-fi, dTape™, dBucket™\u003c\/li\u003e\n\u003cli\u003eSeven front-panel tone shaping knobs: Time, Repeats, Mix, Filter, Grit, Mod Speed, Mod Depth\u003c\/li\u003e\n\u003cli\u003eAdditional menu-driven parameters deliver extremely flexible tone shaping options\u003c\/li\u003e\n\u003cli\u003e200 easily accessible and nameable presets, save and recall at the press of a switch\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533024903346,"sku":"ACSTRTIMELINE","price":449.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/brvliklc9p4u3zspkmek.jpg?v=1779969870"},{"product_id":"new-strymon-bigsky-multidimensional-reverb-guitar-effects-pedal","title":"New Strymon BigSky Multidimensional Reverb Guitar Effects Pedal","description":"\u003cp\u003eClear Skies Ahead. Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you're elevated into a glow of lush, glorious, radiant reverbs.\u003c\/p\u003e\u003cp\u003eTo create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.\u003c\/p\u003e\u003cp\u003e12 Unique Reverb Machines. BigSky gives you twelve studio-class, musically inspirational reverb machines. Diffused reflections and slower-building density are the hallmarks of these beautiful and versatile reverbs. The Concert size is well-balanced, spacious and warm, while the Arena size is huge, enveloping and booming.\u003c\/p\u003e\u003cp\u003eFeatures: Presets, Expression Pedal Control, Cab Filter, Assignable Knobs, and more. Simple Yet Powerful Controls. We've gone to extraordinary lengths to craft BigSky to empower your creativity without getting in the way of it. 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Zuma is the highest horsepower, most technologically advanced effects pedal power supply of its kind. Zuma offers nine high-current, individually isolated, ultra-low-noise outputs — each with its own dedicated regulator and custom transformer. Designed to meet the needs of today's players, each output provides a staggering 500mA of current.\u003c\/p\u003e\u003cp\u003eZuma's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\u003cp\u003eDual isolation. Zuma's all analog circuitry offers two stages of isolation. Each of the nine output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Zuma also provides dual power regulation: wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.\u003c\/p\u003e\u003cp\u003eWorld tour ready. With automatic international power compatibility built-in (when connected with the appropriate IEC cable), Zuma delivers an abundance of clean, rock-steady power to all your pedals, on any stage anywhere you play. Whether you're on 120V, 240V, 100V, or any variation in between, Zuma delivers clean, reliable power even if the venue has dirty power.\u003c\/p\u003e\u003cp\u003eNever run out of outputs. Zuma is part of an expandable, modular system. Add more outputs by connecting a Strymon Ojai (sold separately) with the 24V Out jack. Use Zuma by itself, or as part of a power distribution system that grows with your pedalboard.\u003c\/p\u003e\u003cp\u003eHear your pedals, not your power. Many popular guitar pedals were originally designed to work with batteries and were not designed to resist noise from power supplies. Our ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.\u003c\/p\u003e\u003cp\u003e12V and 18V Options. Two channels have selectable 9, 12, or 18V output voltages. Some analog pedals designed for 9V operation may provide higher output and\/or more clean headroom at higher voltages, but always check with your pedal's manufacturer before operating above standard voltage.\u003c\/p\u003e\u003cp\u003eEnergy efficient. Significantly more efficient than linear power supplies, Zuma delivers substantially more current while handling a much wider range of input voltages, in a compact unit with a small carbon and pedalboard footprint.\u003c\/p\u003e\u003cp\u003eBreakthrough Technology. With dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering, Strymon has designed a switching power supply that is actually quieter than linear units. 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PCH is an advanced stereo active direct interface with a hidden superpower – an onboard console-quality headphone amplifier. Now you can rest easy knowing that the sound of your pedalboard won't change even a little when passing through PCH, and the headphone amp means you won't have to ask anyone how you sound. You'll know.\u003c\/p\u003e\u003cp\u003ePCH has a powerful headphone amplifier onboard, making it easy to monitor or practice listening to the sound of your entire rig or pedalboard in full stereo, no matter the pedal order or the components.\u003c\/p\u003e\u003cp\u003eConnecting the output of your pedalboard to a DI is a very different thing than simply plugging your bass or guitar straight into one. Pedalboards can generate very loud output signals, enough to swamp the input of ordinary direct boxes. PCH is different, partially because it runs on 9VDC, and it has enough headroom to handle powerful incoming audio while remaining pristine, ensuring you always sound your best.\u003c\/p\u003e\u003cp\u003eNo matter what instrument or genre of music you play, if you need to connect unbalanced outputs to a PA, recording interface or flat response speaker system, PCH is the ultimate choice for an absolutely transparent stereo direct interface — and it's the only one that you can listen to locally via the headphone amp.\u003c\/p\u003e\u003cp\u003eTransparent By Design. PCH was designed from the ground up to be sonically transparent, virtually unclippable and bulletproof — it's the ultimate solution for your pedalboard, keyboard rig or synth setup.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eRuns on 9VDC — internally converted to 24V to be virtually unclippable\u003c\/li\u003e\n\u003cli\u003eOnboard headphone amplifier powerful enough to drive high impedance headphones cleanly\u003c\/li\u003e\n\u003cli\u003eSwitchable Mic\/Line level operation for the XLR outputs\u003c\/li\u003e\n\u003cli\u003eDefeatable ground lift for the XLR outputs\u003c\/li\u003e\n\u003cli\u003eDefeatable Sum for the Thru outputs\u003c\/li\u003e\n\u003cli\u003ePowered by a custom single-channel internal Ojai power supply\u003c\/li\u003e\n\u003cli\u003eInternal supply's custom transformer provides galvanic isolation\u003c\/li\u003e\n\u003cli\u003eExtremely flat frequency response and extremely low total harmonic distortion\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection\u003c\/li\u003e\n\u003cli\u003eShell awning design protects headphone volume pot while allowing easy access to jacks\u003c\/li\u003e\n\u003cli\u003eHigh quality long life jacks and switches\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cstrong\u003eSpecs\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eIn: Input Impedance 1 MΩ; Max Input Level +20dBu.\u003cbr\u003eThru: Output Impedance 100 Ω; SNR +135dB (A-Weight); Noise Floor -115dBV; Gain +0dB; Frequency Response +\/- 0.25dB, 10Hz – 80kHz+.\u003cbr\u003eHP: Output Impedance 2 Ω; Frequency Response +\/- 0.25dB, 10Hz – 80kHz.\u003cbr\u003eXLR Line Setting: Output Impedance 275 Ω; SNR +130dB; Noise Floor -110dBV; Gain +0dB; Max Output +20dBu; Frequency Response +\/- 0.25dB, 10Hz – 80kHz+.\u003cbr\u003eXLR Mic Setting: Output Impedance 100 Ω; Gain -20dB; Max Output +0.0dBu; SNR +125dB; Noise Floor -125 dBV; Frequency Response +\/- 0.25dB, 10Hz – 80kHz+.\u003cbr\u003ePower Supply: Input 9VDC; Current 500mA.\u003cbr\u003eDimensions: L 4.88\" (124mm), W 2.97\" (76mm), H 1.94\" (50mm).\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533026607282,"sku":"ACSTRPCH","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/lfdhymoluiqb4blpn0so.jpg?v=1779969897"},{"product_id":"new-strymon-cloudburst-ambient-reverb-guitar-effects-pedal","title":"New Strymon Cloudburst Ambient Reverb Guitar Effects Pedal","description":"\u003cp\u003e\u003cstrong\u003eManufacturer's Description:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInto The Clouds…And Beyond. Sometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end.\u003c\/p\u003e\n\u003cp\u003eThe simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you've ever heard out of a guitar reverb pedal – there's literally nothing else quite like it.\u003c\/p\u003e\n\u003cp\u003eInstant Ambient Bliss. Coupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically – so if you change pickups or play in a different place on the neck you get different results. It's all wrapped in a smaller form factor that still manages to house full stereo I\/O, TRS MIDI and USB-C connectors on the back panel.\u003c\/p\u003e\n\u003cp\u003eCelestial String Section. Cloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing. Ensemble reacts to your entire guitar signal in an organic and musical way, delivering a richly responsive and uniquely inspiring playing experience.\u003c\/p\u003e\n\u003cp\u003eFrom Small Rooms to Infinite Spaces. Cloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control, numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.\u003c\/p\u003e\n\u003cp\u003eCompact With No Compromises. All of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.\u003c\/p\u003e\n\u003cp\u003eDecay. Not only does the Decay knob control the duration of the reverb tail, it also dramatically transforms the character of the reverb via continuous under-the-hood adjustments. Even tiny adjustments yield noticeable changes, so Decay is central to the operation of Cloudburst.\u003c\/p\u003e\n\u003cp\u003eEnsemble. Cloudburst's Ensemble effect continuously analyzes 48 different frequency bands as you play, generating upper harmonic partials of what it finds in each band. Rather than a static synthetic signal based on pitch detection, Ensemble is dynamic and organic, varying its character depending on where you pick, which pickup you use, and the volume envelope of what you play.\u003c\/p\u003e\n\u003cp\u003eMix. Cloudburst's Mix knob adjusts the reverb mix from full dry at minimum to full wet at maximum (50\/50 at approximately 3 o'clock). Additional power-up modes allow for kill-dry (for parallel effects loops) and an analog dry path option.\u003c\/p\u003e\n\u003cp\u003ePre-Delay. A dedicated Pre-delay control lets you add space between your dry signal and the reverb — handy for maintaining clarity at higher Mix and Decay settings, creating swells and blooms, or reverberant slap-back echoes in smaller spaces.\u003c\/p\u003e\n\u003cp\u003eTone. Cloudburst's Tone knob controls the amount of high frequencies within the reverb, from damped highs at minimum to no damping at maximum. Or control it with an expression pedal for dramatic filtering effects.\u003c\/p\u003e\n\u003cp\u003eModulation. The Mod control operates as modulation depth from minimum to 12 o'clock, and as modulation speed from noon to maximum, where warbly vintage sci-fi pitch modulation can be found.\u003c\/p\u003e\n\u003cp\u003eMIDI. Cloudburst features full MIDI implementation and 300 presets via the EXP\/MIDI jack or USB-C connection. Remotely bypass or engage the pedal, automate decay or other knob adjustments, or recall unique presets for each song.\u003c\/p\u003e\n\u003cp\u003eBypass. Choose electromechanical relay-switched true bypass (default) or premium buffered bypass to preserve signal integrity over longer cable runs.\u003c\/p\u003e\n\u003cp\u003eJFET Input. High-impedance, ultra-low noise discrete Class A JFET preamp input for exceptional touch sensitivity and responsiveness.\u003c\/p\u003e\n\u003cp\u003eStereo. A stereo reverb pedal with full stereo in\/out via single TRS input and output jacks. A rear panel Input switch selects Mono In to Mono Out, Mono In to Stereo Out, or Stereo In to Stereo Out.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise 24-bit 96kHz A\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor, 32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response; SNR typically 116dB\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm; Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized aluminum chassis\u003c\/li\u003e\n\u003cli\u003eMax 9V DC center-negative, minimum 250mA (power supply NOT included)\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.6\" deep x 2.7\" wide x 2.5\" tall (11.7 x 6.9 x 6.4 cm)\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533026771122,"sku":"ACSTRCLOUDBURST","price":279.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/htsvvn9lzlgclslszy9i.jpg?v=1779969906"},{"product_id":"new-strymon-iridium-amp-and-ir-cab-simulator-guitar-effects-pedal","title":"New Strymon Iridium Amp and IR Cab Simulator Guitar Effects Pedal","description":"\u003cp\u003eLeave Your Amp At Home. Nothing reveals the true nature of your guitar and your playing like a world-class tube amp driving a perfectly matched speaker cabinet in a great sounding room. Now there is a pedal that truly delivers that sound and feel, with simple controls for effortlessly dialing in the perfect amp tone when going direct.\u003c\/p\u003e\u003cp\u003eDiscover inspiring tube amp responsiveness, unprecedented impulse response speaker cabinet realism, and controllable natural sounding room ambience.\u003c\/p\u003e\u003cp\u003eGo Direct With Gorgeous Tone. Iridium gives you three iconic amplifiers, with a total of nine impulse response speaker cabinets that complement the tonality of the amp. Skip the hassle of lugging around or miking amps. Place Iridium on your pedalboard and send gorgeous stereo amplifier tones, stunningly realistic cabs, and lush room ambience direct to a recording interface or PA system.\u003c\/p\u003e\u003cp\u003eWith Iridium, it's a snap to dial in a direct tone that will truly inspire and sound great whether you are monitoring through in-ears, floor wedges, reference monitors, or studio headphones.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533026803890,"sku":"ACSTRIRIDIUM","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/y9wmerhnbdldw9ia0vhv.jpg?v=1779969915"},{"product_id":"new-strymon-ojai-guitar-pedal-power-supply","title":"New Strymon Ojai Guitar Pedal Power Supply","description":"\u003cp\u003eIncludes 5 pedal cables (5.5mm x 2.1mm barrel, center negative), a 24V power adapter, an EIAJ-05 power adapter cable, and an IEC cable.\u003c\/p\u003e\u003cp\u003eHuge horsepower, small size. Power your pedals with Ojai — the highest horsepower, most technologically advanced effects pedal power supply of its size. Ojai delivers clean, rock-steady power to your effects pedals in a lightweight and expandable package, giving you flexibility and room to grow.\u003c\/p\u003e\u003cp\u003eYou get five high-current, individually isolated, ultra-low-noise outputs — each with its own dedicated regulator and custom transformer. Each output provides a massive 500mA of current.\u003c\/p\u003e\u003cp\u003eOjai's dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering result in a power supply that allows your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\u003cp\u003eDual isolation. Ojai's all analog circuitry offers two stages of isolation. Each of the five output channels is individually isolated from the 24V DC, and the 24V DC is isolated from the AC input power, eliminating ground loop and AC line noise issues. Ojai also provides dual power regulation: wide-bandwidth optically isolated feedback loops on each channel, as well as on the input, allow both the input and outputs to adjust for changes, ensuring solid output under changing load conditions.\u003c\/p\u003e\u003cp\u003eWorld tour ready. With automatic international power compatibility built-in (when connected with the appropriate IEC cable), Ojai delivers clean, reliable power to all your pedals, on any stage anywhere you play. Whether you're on 120V, 240V, 100V, or any variation in between, Ojai delivers clean, reliable power even if the venue has dirty power.\u003c\/p\u003e\u003cp\u003eNever run out of outputs. Ojai is part of an expandable, modular system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack, or use Ojai to add five more outputs to the Strymon Zuma power supply (sold separately).\u003c\/p\u003e\u003cp\u003eHear your pedals, not your power. Many popular guitar pedals were originally designed to work with batteries and were not designed to resist noise from power supplies. Our ultra-low-noise design prevents power noise from bleeding into the audio signal, allowing your pedals to deliver the highest possible dynamic range.\u003c\/p\u003e\u003cp\u003eEnergy efficient. Significantly more efficient than linear power supplies, Ojai delivers substantially more current while handling a much wider range of input voltages, in a compact unit with a small carbon and pedalboard footprint.\u003c\/p\u003e\u003cp\u003eBreakthrough Technology. With dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering, Strymon has designed a switching power supply that is actually quieter than linear units. Every Ojai unit goes through rigorous Audio Precision testing so your pedals sound the way they were designed to sound.\u003c\/p\u003e\u003cp\u003eIns \u0026amp; Outs:\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated 9V outputs\u003c\/li\u003e\n\u003cli\u003e500mA per output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, center negative, right angle to straight)\u003c\/li\u003e\n\u003cli\u003e24V power adapter, EIAJ-05 power adapter cable, and IEC cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack for connection to additional Strymon Ojai units (sold separately)\u003c\/li\u003e\n\u003cli\u003eFive individual custom transformers (one per channel) deliver clean, consistent power\u003c\/li\u003e\n\u003cli\u003eWorldwide power compatibility for no-hassle international touring\u003c\/li\u003e\n\u003cli\u003eLightweight, rugged anodized midnight blue aluminum chassis; fits under nearly any pedalboard\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533026902194,"sku":"ACSTROJAI","price":169.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/dngl4ogybxbvx48buuhg.jpg?v=1779969922"},{"product_id":"new-strymon-riverside-multistage-drive-guitar-effects-pedal","title":"New Strymon Riverside Multistage Drive Guitar Effects Pedal","description":"\u003cp\u003eA new world of drive. Riverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn't want to build just another distortion or overdrive — we examined what has been done, and brought a new approach to the world of drive sounds.\u003c\/p\u003e\u003cp\u003eDiscover your amp's potential. Riverside's cascading gain stages create harmonically rich tones that are immensely musical and natural — from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level.\u003c\/p\u003e\u003cp\u003eInfinite sweet spot. Riverside's continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone — from sparkling cleans and mild overdrives to high-gain leads and heavy saturated distortions.\u003c\/p\u003e\u003cp\u003eFlexibility to adapt to any amp. Riverside's musical 3-band EQ, with independent Bass, Middle and Treble knobs, complements your amp's tone with the flexibility needed to dial in your sound effectively. The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.\u003c\/p\u003e\u003cp\u003eDigital or analog? We chose both. The first stage of Riverside's custom multistage drive topology is an all-analog, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximize headroom while adding as much as 20dB of pure analog gain, with tight integration to the subsequent DSP gain stages. The JFET stage provides exceptional touch sensitivity and dynamic interaction, while the powerful SHARC DSP facilitates detailed complexity and responsiveness.\u003c\/p\u003e\u003cp\u003eFavorite preset. Riverside lets you save and recall your favorite settings. Dial up your favorite sound, then press and hold the Favorite switch to save it. Instantly recall it with a press, or press again to return to the current knob settings — like having two drive pedals in one.\u003c\/p\u003e\u003cp\u003ePresence of mind. A three-position presence switch tailors the highest frequencies of your output. Minus (-) provides clarity with a controlled top end for brighter amps. Enhanced (center) extends the top end for more sizzle on high gain tones. Plus (+) delivers extended high end detail for darker amps and when plugging directly into a power amp.\u003c\/p\u003e\u003cp\u003eTame the noise. An optional, variable-threshold noise reduction feature tames hum, buzz, and system noise when you're not playing, with a seamless transition to silence across all input dynamics.\u003c\/p\u003e\u003cp\u003eGet a boost. The boost pedal input lets you leave Riverside on all the time and boost your overall output by up to +6dB when you need to jump up in the mix, via an external switch.\u003c\/p\u003e\u003cp\u003eMorphing expression control. Connect an expression pedal and set as many knobs as you like for heel and toe positions; all settings morph through the full range. The Expression jack can also be set to Volume Mode with a logarithmic taper for smooth volume control. A TRS cable from the BOOST jack to another Strymon pedal's EXP input can simultaneously engage Favorite on both pedals.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCustom cascading multistage distortion topology for a wide range of tube-inspired drive tones\u003c\/li\u003e\n\u003cli\u003eDigitally controlled analog class A JFET input gain stage adds up to 20dB of pure analog gain\u003c\/li\u003e\n\u003cli\u003ePrecision crafted DSP gain stages provide detailed complexity and responsiveness\u003c\/li\u003e\n\u003cli\u003eLow gain channel for smooth classic overdrive; high gain channel for modern saturated distortion\u003c\/li\u003e\n\u003cli\u003e3-band EQ with independent Bass, Middle and Treble controls; selectable mid-band EQ push\u003c\/li\u003e\n\u003cli\u003ePresence switch and optional variable-threshold noise reduction\u003c\/li\u003e\n\u003cli\u003eUltra low noise 24-bit 96kHz A\/D and D\/A converters; 32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003eTrue Bypass or selectable transparent Analog Buffered Bypass\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized gold aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower supply NOT included; max 9V DC center-negative, minimum 250mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.5\" deep x 4\" wide x 1.75\" tall (11.4 x 10.2 x 4.4 cm); designed and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533026967730,"sku":"ACSTRRIVERSIDE","price":299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/mzbiiavrgpsu6z42zjwm.jpg?v=1779969930"},{"product_id":"new-strymon-olivera-vintage-oil-can-echo-guitar-effects-pedal","title":"New Strymon Olivera Vintage Oil Can Echo Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eFrom Strymon:\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Well Oiled Machine\u003c\/b\u003e\u003cbr\u003eTurn the clock back to a time when audio effects were still uncharted territory, and experience the vintage syrupy warble of a true oil can echo. From dark and modulated repeats to sustaining textures that approach the sound of classic spring reverb tanks, Olivera is the first pedal emulation that truly captures the mechanical yet wildly organic nature of these oddball machines, bringing funky inspiration to anything you run through it.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDifferent By Design\u003c\/b\u003e\u003cbr\u003eThe first oil can echoes were made by the Tel-Rey company in 1959, achieving the repeats by writing a static charge to a small rotating disk inside a can, using oil as a lubricating dielectric. This novel approach yields very different sounds than what you would hear from a tape machine, and the results instantly transport the listener to a darker and murkier place that positively oozes vibe.\u003c\/p\u003e\u003cp\u003eThe sheer number of variables in the design made authentic emulation challenging, requiring a ton of research and a brand new algorithm to get to the realism that we set out to achieve. We feel confident that Olivera captures the true soul of the original units, from the dark repeats with unique rhythmic and decay characteristics to the unreal thick modulation that changes and morphs as the audio does. No other type of delay can do what an oil can does, and no other pedal emulation comes close to Olivera.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eVintage Stereo Echo Enhanced With Modern Features\u003c\/b\u003e\u003cbr\u003eOlivera has a host of powerful features that make it easy to integrate these nostalgic sounds into your modern rig: Discrete stereo operation for independent processing of the left and right stereo inputs. A simplified control set and expression pedal and Multiswitch capability. Delay spillover for preserving repeats when the pedal is switched off. Discrete Class A JFET stereo input preamp for exceptional touch sensitivity and ideal frequency response. MIDI control of patch recall and continuous controller data. Premium components, rugged construction, and a USB jack for performing firmware updates or controlling the pedal from your computer.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eHigh impedance ultra low-noise discrete Class A JFET TRS stereo input\u003c\/li\u003e\n\u003cli\u003eLow impedance TRS stereo output\u003c\/li\u003e\n\u003cli\u003eExpression pedal input (TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI — sold separately)\u003c\/li\u003e\n\u003cli\u003eUSB jack for MIDI control from a computer or firmware updates\u003c\/li\u003e\n\u003cli\u003ePremium JFET analog front end\u003c\/li\u003e\n\u003cli\u003eUltra low noise 24-bit 96kHz A\/D and D\/A converters\u003c\/li\u003e\n\u003cli\u003e520MHz ARM Superscalar processor, 32-bit floating point processing\u003c\/li\u003e\n\u003cli\u003e20Hz to 20kHz frequency response\u003c\/li\u003e\n\u003cli\u003eAudio Input Impedance: 1M Ohm; Output Impedance: 100 Ohm\u003c\/li\u003e\n\u003cli\u003eTypical signal to noise ratio: 116dB\u003c\/li\u003e\n\u003cli\u003eStrong and lightweight anodized aluminum chassis\u003c\/li\u003e\n\u003cli\u003ePower: 9 volts DC center-negative, minimum 250mA (power supply not included)\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.6” deep x 2.7” wide x 2.2” tall (11.7 cm x 6.9 cm x 5.6 cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533027000498,"sku":"ACSTROLIVERA","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/27a8dcf2-0b82-46b7-9f9c-1bcd05b8c541.jpg?v=1779969938"},{"product_id":"new-strymon-fairfax-class-a-output-stage-drive-guitar-effects-pedal","title":"New Strymon Fairfax Class A Output Stage Drive Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eFrom Strymon:\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMiniature Marvel\u003c\/b\u003e\u003cbr\u003eFairfax isn’t really a distortion pedal. Instead, it’s a complete miniature amplifier in 100% analog form, based upon a little-known device from the 60’s that powered a number of classic rock anthems.\u003c\/p\u003e\u003cp\u003eThe sound and feel is extremely tube-like, with added harmonics and saturation coming from a clever circuit that emulates the critical behavior of a tube amp’s output transformer. It’s a drive pedal that feels completely natural to play, retains the natural sound of your guitar, and glues notes together in a truly organic way.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMore Than A Drive Pedal\u003c\/b\u003e\u003cbr\u003eFairfax began as an engineering experiment, initially inspired by the original Garnet Amplifiers Herzog® tube drive unit designed for Randy Bachman in 1965. Our analog guys decided to recreate all of the critical elements of a custom Champ-like tube amp circuit fully in the analog domain, but small enough to fit into a pedal enclosure (so it couldn’t use real tubes or an output transformer).\u003c\/p\u003e\u003cp\u003eThe final design features a cleverly miniaturized tube preamp, Class A power amp and an ingenious custom circuit that emulates the saturation characteristics of the output transformer. There’s even a variable Sag circuit that behaves just like a real tube amp does. At low Sag values the behavior is mild and only slightly compressed; at max values the JFETs can go crazy and unbias — which gates the signal — leading to spitting and chortling sounds more commonly associated with fuzzes.\u003c\/p\u003e\u003cp\u003eIn order for Fairfax to behave like a real amplifier it needed a massive amount of operating voltage, so a transformer-based power supply converts the 9VDC input voltage to 40V internally. This gives Fairfax the power it needs for high headroom and amp-like feel, allowing for a wide range of tones. At lower Gain settings Fairfax can be sweet, gently pushing the input to your amp with additional harmonic richness, a touch of saturation and a flat frequency response. At higher Gain levels the sound becomes fully saturated.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSound Design\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eLEVEL\u003c\/b\u003e — Sets the output level for the pedal. Lower settings send less total output signal to your amplifier.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDRIVE\u003c\/b\u003e — Determines the amount of drive and saturation. Working with the Level control, dial in crunch and saturation, a clean boost, or anything in between.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSAG\u003c\/b\u003e — Fine-tunes the behavior of the Sag circuit. At max, the sound can chortle and sputter, with the effect more or less apparent depending on Drive and Level settings.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eBRIGHT\u003c\/b\u003e — Determines the high frequency contour. ‘Off’ attenuates highs for a smoother response; ‘On’ leaves highs untouched for a brighter, more treble response.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eComplete tube amp circuit fully recreated in 100% analog.\u003c\/li\u003e\n\u003cli\u003eCustom analog circuits recreate multiple tube stages and the critical output transformer.\u003c\/li\u003e\n\u003cli\u003eInput voltage converted to 40V internally via galvanically isolated power supply.\u003c\/li\u003e\n\u003cli\u003eControls for Drive, Level and a variable Sag control.\u003c\/li\u003e\n\u003cli\u003eBright switch allows fine-tuning of the high frequency response.\u003c\/li\u003e\n\u003cli\u003eWide range of natural sounding, tube amp-like gain for maximum versatility.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFully analog circuit.\u003c\/li\u003e\n\u003cli\u003eTrue Bypass. Mono in\/out.\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.53″ deep x 2.83″ wide x 2.33″ tall (11.51 cm x 7.19 cm x 5.92 cm)\u003c\/li\u003e\n\u003cli\u003ePower requirements — maximum 9 volts DC center-negative, minimum 500mA (power supply not included).\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533027819698,"sku":"ACSTRFAIRFAX","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/94c91529-809d-4456-a193-375ef4a430ab.jpg?v=1779969953"},{"product_id":"new-strymon-ojai-r30-low-profile-high-current-dc-power-supply","title":"New Strymon Ojai R30 Low Profile High Current DC Power Supply","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003e\u003cb\u003eStrymon Ojai R30 Low-Profile High Current DC Pedal Power Supply — Formidably Flexible.\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003ePower your pedals with Ojai R30 — the highest horsepower, most technologically advanced effects pedal power supply of its size. You get clean, rock-steady power for your 9V, 12V and 18V effects pedals in a low profile, expandable package, giving you room to grow.\u003c\/p\u003e\u003cp\u003eOjai R30’s dual-stage topology, pre-regulated outputs, optically isolated feedback, and advanced multistage filtering allow your pedals to achieve their highest possible dynamic range.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDual isolation.\u003c\/b\u003e\u003cbr\u003eOjai R30’s all-analog circuitry offers two stages of isolation, completely eliminating ground loop and AC line noise issues, allowing your pedals to sound like they were designed to sound.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eWorld tour ready.\u003c\/b\u003e\u003cbr\u003eWith automatic international power compatibility built-in (when connected with the appropriate IEC cable), Ojai R30 delivers clean, reliable power to all your pedals — whether you’re on 120V, 240V, 100V, or any variation in between — even if the venue has dirty power.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eNever run out of outputs.\u003c\/b\u003e\u003cbr\u003eOjai R30 is part of an expandable system. Gain more outputs by connecting additional Ojai units to the 24V Thru jack, or use Ojai R30 to add five more outputs to the Strymon Zuma power supply (sold separately).\u003c\/p\u003e\u003cp\u003e\u003cb\u003e12V and 18V options.\u003c\/b\u003e\u003cbr\u003eTwo channels have selectable 9, 12, or 18V output voltages. Some analog pedals designed for 9V operation may provide higher output and\/or more clean headroom at higher voltages — always check with the pedal’s manufacturer before operating above standard voltage.\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePedalboard friendly.\u003c\/b\u003e\u003cbr\u003eOjai R30’s ultra-low profile design fits under just about any pedalboard and features built-in threaded hardware for easy mounting.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eIns \u0026amp; Outs\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5 high-current, fully isolated 9V outputs with center-negative polarity\u003c\/li\u003e\n\u003cli\u003e3 dedicated 9V outputs (500mA)\u003c\/li\u003e\n\u003cli\u003e2 adjustable outputs offer 9V (500mA), 12V (375mA), or 18V (250mA) DC options\u003c\/li\u003e\n\u003cli\u003e500mA per output powers nearly any pedal\u003c\/li\u003e\n\u003cli\u003e5 pedal cables included (5.5mm x 2.1mm barrel connectors, right angle to right angle, 18″ length)\u003c\/li\u003e\n\u003cli\u003e24V power adapter (PS-124), EIAJ-05 power adapter cable, and IEC cable included\u003c\/li\u003e\n\u003cli\u003e24V Thru jack allows connection to additional Strymon Ojai (sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eTechnology \u0026amp; Construction\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e5 individual custom transformers (one per channel) deliver clean, consistent power\u003c\/li\u003e\n\u003cli\u003eWorldwide power compatibility for no-hassle international touring\u003c\/li\u003e\n\u003cli\u003eEnergy efficient, compact design\u003c\/li\u003e\n\u003cli\u003eLightweight and rugged anodized midnight blue aluminum chassis\u003c\/li\u003e\n\u003cli\u003eUltra low profile design fits under nearly any pedalboard\u003c\/li\u003e\n\u003cli\u003eDesigned and built in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533028573362,"sku":"ACSTROJAIR30","price":189.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/ziqdgd2qvedxep9stxtu.jpg?v=1779969960"},{"product_id":"new-strymon-brig-bucket-brigade-analog-delay-guitar-effects-pedal","title":"New Strymon Brig Bucket Brigade Analog Delay Guitar Effects Pedal","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCertified Organic Echo\u003c\/b\u003e\u003cbr\u003eThe delays that become true classics do not simply repeat the notes you play — they do something special to each repeat that evokes a feeling, fueling the music and inspiring you. Plug into Brig, play a note, and you’re instantly drawn in by repeats that evolve with captivating complexity and uncommonly rich tonal characteristics. Brig delivers all the warmth, subtle grit and unique tactile playing experience of analog bucket brigade delays (BBDs), offering three distinct delay voicings in one highly addictive stereo pedal.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThree distinct bucket brigade voicings based upon classic BBD circuit configurations.\u003c\/li\u003e\n\u003cli\u003eUnique Filter control for shaping the tone of the repeats.\u003c\/li\u003e\n\u003cli\u003ePremium discrete stereo JFET analog input circuit for exceptional feel and touch response.\u003c\/li\u003e\n\u003cli\u003eTRS MIDI\/Expression jack for external control via expression pedal or TRS MIDI.\u003c\/li\u003e\n\u003cli\u003eFull MIDI integration — 300 onboard presets, realtime parameter control and more.\u003c\/li\u003e\n\u003cli\u003eFull stereo inputs and outputs via TRS jacks.\u003c\/li\u003e\n\u003cli\u003eMono-to-mono, mono-to-stereo and stereo-to-stereo operation.\u003c\/li\u003e\n\u003cli\u003eArtifact-free tap tempo.\u003c\/li\u003e\n\u003cli\u003eUSB-C for DAW MIDI control and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eThree Delays in One\u003c\/b\u003e\u003cbr\u003eBrig’s stunning dBucket sound generation gives you three meticulously crafted analog delay voicings. The 3205 voice delivers gritty repeats that morph as they feed back, from gorgeous slapback echoes to psychedelic sci-fi effects. The 3005 voice recreates a dual MN3005 BBD chip circuit for longer delay times and warm repeats with a soft, dreamlike quality. The Multi voice features two cross-coupled, super-clean dBucket delay lines with golden ratio timing to create complex soundscapes and a huge stereo soundfield that stays musical and clean even on the edge of self-oscillation.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDeceptively Powerful\u003c\/b\u003e\u003cbr\u003eBrig offers a huge amount of power and flexibility in an elegantly small form factor: three truly distinct delay voices, artifact-free tap tempo, stereo operation, straightforward responsive controls, expression pedal capability, a high-impedance ultra-low-noise discrete Class A JFET stereo input preamp, and MIDI control for tempo, patch save\/recall and more.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eArtifact-Free Tap Tempo\u003c\/b\u003e\u003cbr\u003eTapping in tempos with Brig works seamlessly in a way that would be impossible with a real analog delay — no pitch shifting, clicks, ramps or mutes. The classic bucket brigade pitch-shifting effects remain available via the Time knob, while tapped tempos change to new values smoothly.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMagic Modulation\u003c\/b\u003e\u003cbr\u003eBrig’s modulation is individually voiced for each of the three delay types and carefully tuned for lush modulation at any delay time or speed. Set the 3205 voice to its minimum 30ms delay time and turn up the modulation for sumptuous bucket brigade chorus effects.\u003c\/p\u003e\u003cp\u003e\u003cb\u003ePlay the Feedback\u003c\/b\u003e\u003cbr\u003eBrig faithfully reproduces classic bucket brigade feedback effects. Crank up the repeats, twist the Time knob, adjust the filter, and get lost in vintage sci-fi psychedelia — each of Brig’s three voicings has its own distinct feedback characteristics.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eAbout the Noise\u003c\/b\u003e\u003cbr\u003eA whisper of gentle noise is part of the sound of bucket brigade analog delay. Especially with the 3005 voice, the subtle noise adds a dreamlike quality. It’s also optional — easily dialed out by turning the filter knob clockwise past 2 o’clock.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eMIDI \u0026amp; Premium Hardware\u003c\/b\u003e\u003cbr\u003eFull MIDI implementation lets you control nearly every switch, knob and setting remotely via the EXP\/MIDI jack or USB-C. Delay time syncs via MIDI Clock Sync, with 300 preset locations. An ultra-low-noise discrete analog JFET input circuit ensures superb responsiveness, with selectable mono-to-mono, mono-to-stereo, or stereo-to-stereo i\/o via a rear panel switch, powered by an efficient ARM DSP chip.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533035651250,"sku":"ACSTRBRIG","price":259.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/jwm07fzkgvegbld8gcjw.jpg?v=1779969970"},{"product_id":"new-strymon-pch-x1-active-di-isolater","title":"New Strymon PCH X1 Active DI Isolator","description":"\u003cp\u003eThis item is new, in box!\u003c\/p\u003e\u003cp\u003eFrom Strymon:\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Real Transformation.\u003c\/b\u003e\u003cbr\u003ePutting a typical direct box on a high quality analyzer can reveal all manner of hidden issues — units sold as premium often exhibit audio behavior that is anything but, especially in the low frequency region or in measured total harmonic distortion. Our phantom-powered and transformer-isolated PCH X1 active direct interface is different.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eSonically Transparent.\u003c\/b\u003e\u003cbr\u003eDesigned to be pristine-sounding before any other feature, the PCH X1 is a unit you can trust implicitly to handle your audio, no matter the signal. Other direct boxes can distort low frequencies to the point where a low B on a bass guitar barely resembles the input, but the PCH X1 remains flat from 10Hz to well above 80kHz within half a dB, staying clean and quiet throughout that range.\u003c\/p\u003e\u003cp\u003eHoused in a bulletproof 3mm extruded aluminum chassis, the X1 balances your audio perfectly whether on a loud stage or in a world-class studio — and it’s small enough to fit just about anywhere. Each unit features a ground lift switch to combat hum, plus a three-position high pass filter to roll off low frequencies at 80Hz (for taming rumble) or 240Hz (for carving out space in the mix). A non-buffered Thru output sits alongside the balanced XLR out, letting you feed the input signal to an onstage monitor or amplifier separately from the balanced output.\u003c\/p\u003e\u003cp\u003e\u003cb\u003eDesigned For Transparency\u003c\/b\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eTechnology\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eCustom audio transformer\u003c\/li\u003e\n\u003cli\u003eRuns on phantom power\u003c\/li\u003e\n\u003cli\u003eGround Lift Switch\u003c\/li\u003e\n\u003cli\u003eThree-position high pass filter\u003c\/li\u003e\n\u003cli\u003eExtremely flat frequency response\u003c\/li\u003e\n\u003cli\u003eExtremely low total harmonic distortion (THD)\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eConstruction\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eThick 3mm extruded aluminum external shell with 5mm ribs for bulletproof protection\u003c\/li\u003e\n\u003cli\u003eShell awning design protects switches while allowing easy access\u003c\/li\u003e\n\u003cli\u003eHigh quality long life jacks and switches\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003e\u003cb\u003eSpecs\u003c\/b\u003e\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eInput Impedance: 2 MΩ; Max Input Level: +20.5dBu\u003c\/li\u003e\n\u003cli\u003eXLR Out — Output Impedance: 100 Ω; Gain relative to inputs: -20dB; Max Output Level: +0.5dBu; Noise Floor: -123 dBu (10-22kHz no A-Weight)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: +\/- 0.25dB, 20Hz – 30kHz; +\/- 0.5dB, 10Hz – 80kHz; +\/- 0.5dB, 20Hz – 20kHz (600Ω load, HPF off)\u003c\/li\u003e\n\u003cli\u003eTHD+N: 1kHz 0.0007%, 100Hz 0.0035%, 50Hz 0.0125% (-10dBu out)\u003c\/li\u003e\n\u003cli\u003eThru — Gain relative to inputs: +0dB; Output Impedance: 0Ω\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 5mA @ +48VDC\u003c\/li\u003e\n\u003cli\u003eDimensions: L 3.66″ (93mm) x W 1.97″ (50mm) x H 1.54″ (39mm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533035716786,"sku":"ACSTRPCHX1","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/5e78cb70-9a7f-4e63-9ce4-c5f5e1319926.jpg?v=1779969986"},{"product_id":"new-strymon-cloudburst-ambient-reverb-guitar-effects-pedal-w-miniswitch-tap-tempo-footswitch","title":"New Strymon Cloudburst Ambient Reverb Guitar Effects Pedal w\/ MiniSwitch Tap Tempo Footswitch","description":"\u003cp\u003eYou will receive a Strymon MiniSwitch Tap Tempo footswitch with this purchase!\u003c\/p\u003e\u003cp\u003eInto The Clouds…And Beyond\u003c\/p\u003e\u003cp\u003eSometimes a single pedal can be transformative, allowing your tone to bloom in a way that draws music out of you effortlessly and keeps you engaged for hours on end.\u003c\/p\u003e\u003cp\u003eThe simple look and feel of Cloudburst belies the power underneath the hood, because it produces some of the most gorgeous ambient reverb tones and soundscapes that you've ever heard out of a guitar reverb pedal – there's literally nothing else quite like it.\u003c\/p\u003e\u003cp\u003eInstant Ambient Bliss\u003c\/p\u003e\u003cp\u003eCoupled with the powerful ambience processing is a brand-new Ensemble engine, capable of creating pads and soundscapes that follow your playing organically – so if you change pickups or play in a different place on the neck you get different results.\u003c\/p\u003e\u003cp\u003eIt's unlike anything you've ever heard or played before, all wrapped in a smaller form factor that still manages to house full stereo I\/O, TRS MIDI and USB-C connectors on the back panel. Prepare to be inspired!\u003c\/p\u003e\u003cp\u003eCelestial String Section\u003c\/p\u003e\u003cp\u003eCloudburst's Ensemble switch reveals a whole new world of captivating sounds never previously heard from a reverb pedal. Use it subtly to add harmonically rich and otherworldly dimensions to your ambient reverb soundscapes, or use it liberally to hear a lush synthesized string section swell under your guitar playing.\u003c\/p\u003e\u003cp\u003eFrom Small Rooms to Infinite Spaces\u003c\/p\u003e\u003cp\u003eCloudburst gives you multiple reverb experiences, with beautifully-tuned and natural small spaces at one end of the Decay knob and vast, expansive atmospheres at the other. As you turn the Decay control numerous internal parameters are automatically adjusted, allowing this ambient reverb pedal to produce outstanding studio-quality spaces of any size at the turn of a single knob.\u003c\/p\u003e\u003cp\u003eCompact With No Compromises\u003c\/p\u003e\u003cp\u003eAll of the premium components, sound quality and road-worthiness you expect from a Strymon reverb pedal are here in Cloudburst's new compact format. Featuring unbeatable ease of use and some of the finest reverb sounds we've ever created, Cloudburst could easily be the only reverb pedal you need on your pedalboard.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eDecay – controls the duration of the reverb tail and dramatically transforms the character of the reverb via continuous under-the-hood adjustments.\u003c\/p\u003e\u003cp\u003eEnsemble – continuously analyzes 48 different frequency bands as you play, generating upper harmonic partials for a gorgeous string ensemble-like expansion of your reverberated signal.\u003c\/p\u003e\u003cp\u003eMix – adjusts the reverb mix from full dry at minimum to full wet at maximum. Additional power-up modes allow for kill-dry and an analog dry path option.\u003c\/p\u003e\u003cp\u003ePre-Delay – adds space between your dry signal and the reverb to maintain clarity at higher Mix and Decay settings.\u003c\/p\u003e\u003cp\u003eTone – controls the amount of high frequencies within the reverb, from damped to no damping.\u003c\/p\u003e\u003cp\u003eMod – operates as modulation depth from minimum to noon, and as modulation speed from noon to maximum.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eFull MIDI implementation and 300 presets, controllable via the EXP\/MIDI jack or USB-C connection.\u003c\/p\u003e\u003cp\u003eTrue\/Buffered Bypass – choose between electromechanical relay-switched true bypass or premium buffered bypass.\u003c\/p\u003e\u003cp\u003eJFET Input – high-impedance, ultra-low noise discrete Class A JFET preamp input for uncompromised dynamics and feel.\u003c\/p\u003e\u003cp\u003eStereo – full stereo in\/out capabilities via a single TRS input and TRS output jack, with a rear panel Input switch for Mono In → Mono Out, Mono In → Stereo Out, or Stereo In → Stereo Out.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eAudio Quality\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePremium JFET analog front end. Ultra low noise, high performance 24-bit 96kHz A\/D and D\/A converters. 520MHz ARM Superscalar processor. 32-bit floating point processing. 20Hz to 20kHz frequency response. Audio Input Impedance: 1M Ohm. Audio Output Impedance: 100 Ohm. Typical signal to noise ratio: 116dB.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eMore\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003eStrong and lightweight anodized aluminum chassis. Power requirements: maximum 9 volts DC center-negative, with a minimum of 250mA (power supply NOT included). Dimensions: 4.6\" deep x 2.7\" wide x 2.5\" tall (11.7 cm x 6.9 cm x 6.4 cm). Designed and built in the USA.\u003c\/p\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47533180813490,"sku":"ACSTRCLOUDBURSTSWITCH","price":328.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/cbuufitgvzr1u3zt1o2y.jpg?v=1779973763"},{"product_id":"strymon-canoga-vintage-silicon-fuzz-guitar-effects-pedal","title":"Strymon Canoga Vintage Silicon Fuzz Guitar Effects Pedal","description":"\u003cp\u003eBrand new, in box.\u003c\/p\u003e\u003ch3\u003eVintage Simplicity\u003c\/h3\u003e\u003cp\u003eSometimes simple wins. Ten years ago Gregg built a few custom fuzzes in an afternoon as a way of clearing his head, and they’ve been gathering dust on a shelf ever since. Unearthed seven years later when Strymon needed a fuzz to pair with the UltraViolet vibe, that rediscovery became the catalyst for the creation of the new Series A line of all-analog pedals.\u003c\/p\u003e\u003cp\u003eCanoga is a tweaked version of a vintage silicon FuzzFace based upon one of Gregg’s original three fuzz designs. Full up it works as a fuzz or distortion, but if you back the guitar’s volume down there’s a world of varied tones on tap for all different styles of music.\u003c\/p\u003e\u003ch3\u003eIt’s All About The Sound\u003c\/h3\u003e\u003cp\u003eCanoga is a simple pedal to use — there’s one knob for Drive and one for output Level — but the interaction between the guitar and Canoga’s input is critical, as is the interaction between it and your amp. As with many fuzz pedals, Canoga works brilliantly plugged into an amp with a bit of hair on the tone already, similar to how Jimi Hendrix and other guitar greats of the 60s and 70s ran their rigs.\u003c\/p\u003e\u003cp\u003eAdditional versatility comes from the interaction between your guitar’s volume knob and the pedal’s input. Traditionally, unbuffered fuzz pedals like to be connected directly to your guitar, so that the circuitry can “see” your guitar’s pickups and volume pot. Full up on both of Canoga’s pots and your guitar volume pot gets you the full fuzz experience, and rolling back the volume on the guitar opens up a new world of semi-clean blues, rock, Americana and pop sounds. The rolled back sound stays clear in the high frequencies and doesn’t get muddy, so you might find that Canoga allows you to convincingly play riffs that you would normally employ a distortion pedal for, not a fuzz.\u003c\/p\u003e\u003ch3\u003eSeries A\u003c\/h3\u003e\u003cp\u003eStrymon’s ‘Series A’ line of pure analog pedals gives their analog design team an outlet, and Canoga joins Fairfax as the second pedal in the series. Series A designs offer something different from traditional Strymon offerings — no MIDI, USB, firmware or digital processing. Unabashedly analog.\u003c\/p\u003e\u003ch3\u003eControls and Routing\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDrive\u003c\/strong\u003e — Controls the amount of distortion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLevel\u003c\/strong\u003e — Controls the output level\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput\u003c\/strong\u003e — High impedance audio input\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput\u003c\/strong\u003e — Low impedance audio output\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9VDC\u003c\/strong\u003e — Use a power supply rated 9VDC, center negative, 50mA minimum (sold separately). IMPORTANT: voltages higher than 9VDC can damage the pedal.\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eFeatures\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003eTweaked version of a vintage silicon FuzzFace style fuzz pedal\u003c\/li\u003e\n\u003cli\u003eHigh frequency response stays clear when the guitar’s volume is rolled back\u003c\/li\u003e\n\u003cli\u003eWide range of gain for different styles of music\u003c\/li\u003e\n\u003cli\u003eInternal jumper sets the initial power up state, either bypassed or engaged\u003c\/li\u003e\n\u003c\/ul\u003e\u003ch3\u003eSpecs\u003c\/h3\u003e\u003cul\u003e\n\u003cli\u003e100% analog circuit\u003c\/li\u003e\n\u003cli\u003eTrue bypass\u003c\/li\u003e\n\u003cli\u003eMono In\/Out\u003c\/li\u003e\n\u003cli\u003eDimensions: 4.53” deep x 2.83” wide x 2.33” tall (11.51 cm x 7.19 cm x 5.92 cm)\u003c\/li\u003e\n\u003cli\u003ePower requirements: maximum 9VDC center negative, minimum 50mA (power supply sold separately)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":47657768157362,"sku":"ACSTRCANOGA","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0084\/0659\/7712\/files\/8a358488-5f91-435d-836a-0a3d598942a2.jpg?v=1783025378"}],"url":"https:\/\/www.citymusicannex.com\/collections\/strymon.oembed","provider":"City Music Annex","version":"1.0","type":"link"}